Adam and Josh continue Filmspotting’s Dissident Cinema Marathon with Akira Kurosawa’s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog — and notably, his only film featuring a sole female protagonist.

Adam and Josh continue Filmspotting&rsquo;s Dissident Cinema Marathon with Akira Kurosawa&rsquo;s 1946 drama No Regrets for Our Youth. Released in the immediate aftermath of WWII, the film stands out as a blatantly political entry in Kurosawa's catalog &mdash; and notably, his only film featuring a sole female protagonist.

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

New and classic movie reviews and top 5 lists.

Filmspotting

Bringing silent film grammar to a post-war awakening. 

No Regrets for Our Youth: Kurosawa’s Bold Post-War Melodrama | Dissident Cinema

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/8040d2eb-a658-43ec-b9ac-b46200c0d627/transcript

In 2020, Adam and Josh used the 45th anniversary of Jaws to Power Rank the Spielberg Decades — from the Close Encounters ’70s to the Lincoln 2010s. With the release of Disclosure Day, the question now is whether it’s already time to do it again and include the 2020s.

In 2020, Adam and Josh used the 45th anniversary of Jaws to Power Rank the Spielberg Decades &mdash; from the Close Encounters &rsquo;70s to the Lincoln 2010s. With the release of Disclosure Day, the question now is whether it&rsquo;s already time to do it again and include the 2020s.

Power Ranking Spielberg Decades | Archive

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/2103f80a-d6eb-45dd-9b06-b46c00278dfc/transcript

Matt and Jordan review HBO’s Sundance acquisition Miss You Love You. And while Jordan finds it to be a handsome, moving, and well-acted "filmed play", Matt finds too modest and predictable.

For Rec Seg, Matt revisits the grueling, ice-cold dread of corporate culture with a 2019 workplace thriller, while Jordan counters with a classic 1982 Sidney Lumet thriller packed with more twists, turns -- and smooches!

Finally, Jordan takes the reins as Dungeon Master for a game called On a Wing and a Prayer.

Chapters / Timecodes

(Timecodes/chapters may not be precise with ads.)

Intro (00:00:00–00:7:27)

Miss You Love You (00:7:28–00:26:54)

Rec Seg!: (00:26:55–00:43:49)

Personalized Recs (00:43:50–01:04:34)

Game: On a Wing and a Prayer (01:04:35–01:23:04)

Wrap-Up & Credits (01:23:05–01:35:02)

Show Notes

Now Streaming on Bazooga - A Filmspotting: SVU Archive https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/

Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu.

https://www.filmspotting.net/nextpictureshow

Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th): https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/

Feedback: Email us at feedback@filmspottingSVU.com

Follow Matt on Blue Sky: @mattsinger.bsky.social

Follow Jordan on Blue Sky: @jhoffman.bsky.social

Follow the Show: https://www.instagram.com/superpulse/ https://www.facebook.com/FilmspottingSvu

Matt and Jordan review HBO&rsquo;s Sundance acquisition Miss You Love You. And while Jordan finds it to be a handsome, moving, and well-acted "filmed play", Matt finds too modest and predictable.
For Rec Seg, Matt revisits the grueling, ice-cold dread of corporate culture with a 2019 workplace thriller, while Jordan counters with a classic 1982 Sidney Lumet thriller packed with more twists, turns -- and smooches!
Finally, Jordan takes the reins as Dungeon Master for a game called On a Wing and a Prayer.
Chapters / Timecodes
(Timecodes/chapters may not be precise with ads.)
Intro (00:00:00&ndash;00:7:27)
Miss You Love You (00:7:28&ndash;00:26:54)
Rec Seg!: (00:26:55&ndash;00:43:49)
Personalized Recs (00:43:50&ndash;01:04:34)
Game: On a Wing and a Prayer (01:04:35&ndash;01:23:04)
Wrap-Up &amp; Credits (01:23:05&ndash;01:35:02)
Show Notes
Now Streaming on Bazooga - A Filmspotting: SVU Archive<a href="https://www.google.com/search?q=https%3A%2F%2Fletterboxd.com%2Fsamvanhallgren%2Flist%2Fnow-streaming-on-bazooga-a-filmspotting-svu%2F"> https://letterboxd.com/samvanhallgren/list/now-streaming-on-bazooga-a-filmspotting-svu/</a>
Matt's appearances on our sister podcast, The Next Picture Show, discussing Shogun Assassin and The Mandalorian and Grogu.
<a href="https://www.filmspotting.net/nextpictureshow">https://www.filmspotting.net/nextpictureshow</a>
Pre-Order Matt's book "Funny Business: The Old-School Wedding Crashers and Knocked-Up Virgins Who Changed Comedy Forever" (Coming October 6th):<a href="https://www.google.com/search?q=https%3A%2F%2Fwww.penguinrandomhouse.com%2Fbooks%2F790241%2Ffunny-business-by-matt-singer%2F"> https://www.penguinrandomhouse.com/books/790241/funny-business-by-matt-singer/</a>
Feedback: Email us at feedback@filmspottingSVU.com
Follow Matt on Blue Sky: @mattsinger.bsky.social
Follow Jordan on Blue Sky: @jhoffman.bsky.social
Follow the Show:<a href="https://www.google.com/search?q=https%3A%2F%2Fwww.instagram.com%2Fsuperpulse%2F"> https://www.instagram.com/superpulse/</a><a href="https://www.google.com/search?q=https%3A%2F%2Fwww.facebook.com%2FFilmspottingSvu"> https://www.facebook.com/FilmspottingSvu</a>

HBO's Allison Janney-starring two-hander.

HBO’s Miss You Love You Belongs On Stage | SVU

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/b1a297c8-ae71-4982-96f8-b46b0049e61f/transcript

Backrooms’ journey to the big screen — from anonymous 4chan post to viral creepypasta to mega-popular YouTube series to A24-backed box-office smash — is as unique and unexpected as the film itself. 20-year-old Kane Parsons’ liminal horror hit feels unlike everything else currently happening in the genre, which is partly what inspired us to pair it with the similarly expectation-defying 1979 cult hit Phantasm, but also makes Backrooms fascinating to discuss on its own. Which is what we do, in mostly spoiler-free terms, before shifting over to Connections to look at how Backrooms and Phantasm compare as low-budget horror phenomena that use unsettling repeating spaces, dream logic, and heroes with no sense of self-preservation to maximum effect. And if Backrooms has you craving more video-game-influenced liminal spaces, we’ve got you covered with a Your Next Picture Show recommendation for the recent Japanese horror-mystery Exit 8.

Please share your thoughts about Phantasm, Backrooms, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

Works Cited: 

• The 5 essential Backrooms videos to watch on YouTube after the movie, by Tasha Robinson (polygon.com)

• Backrooms director Kane Parsons answers three very specific questions about the movie, by Tasha Robinson (polygon.com)

• Backrooms’s Ending Cleverly Subverts One of Horror’s Biggest Clichés, by Tasha Robinson (vulture.com)

• The Indoor Generation, by Carol Grant

• A Feud in Wolf-Kink Erotica Raises a Deep Legal Question, by Alexandra Alter (nytimes.com)

 

Next Pairing: Steven Spielberg’s Disclosure Day and E.T. The Extraterrestrial 

 

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Backrooms&rsquo; journey to the big screen &mdash; from anonymous 4chan post to viral creepypasta to mega-popular YouTube series to A24-backed box-office smash &mdash; is as unique and unexpected as the film itself. 20-year-old Kane Parsons&rsquo; liminal horror hit feels unlike everything else currently happening in the genre, which is partly what inspired us to pair it with the similarly expectation-defying 1979 cult hit&nbsp;Phantasm,&nbsp;but also makes&nbsp;Backrooms fascinating to discuss on its own. Which is what we do, in mostly spoiler-free terms, before shifting over to Connections to look at how&nbsp;Backrooms&nbsp;and&nbsp;Phantasm&nbsp;compare as low-budget horror phenomena that use unsettling repeating spaces, dream logic, and heroes with no sense of self-preservation to maximum effect. And if&nbsp;Backrooms&nbsp;has you craving more video-game-influenced liminal spaces, we&rsquo;ve got you covered with a Your Next Picture Show recommendation for the recent Japanese horror-mystery&nbsp;Exit 8.
Please share your thoughts about&nbsp;Phantasm, Backrooms, or anything else in the world of film, by sending an email or voice memo to&nbsp;<a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.
Works Cited:&nbsp;
&bull;&nbsp;<a href="https://www.polygon.com/best-youtube-backrooms-videos-movie/" data-saferedirecturl="https://www.google.com/url?q=https://www.polygon.com/best-youtube-backrooms-videos-movie/&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw3vA2X9TvLOAfTO7QGnKdkE">The 5 essential Backrooms videos to watch on YouTube after the movie</a>, by Tasha Robinson (<a href="http://polygon.com/" data-saferedirecturl="https://www.google.com/url?q=http://polygon.com&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw2e7NVOJINIa2_9hMFBAEVz">polygon.com</a>)
&bull;&nbsp;<a href="https://www.polygon.com/backrooms-director-kane-parsons-answers-three-questions/" data-saferedirecturl="https://www.google.com/url?q=https://www.polygon.com/backrooms-director-kane-parsons-answers-three-questions/&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw1AorhYCkUGP-tPCPdykxQp">Backrooms director Kane Parsons answers three very specific questions about the movie</a>, by Tasha Robinson (<a href="http://polygon.com/" data-saferedirecturl="https://www.google.com/url?q=http://polygon.com&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw2e7NVOJINIa2_9hMFBAEVz">polygon.com</a>)
&bull;&nbsp;<a href="https://www.vulture.com/article/backroomss-ending-subverts-one-of-horrors-biggest-cliches.html" data-saferedirecturl="https://www.google.com/url?q=https://www.vulture.com/article/backroomss-ending-subverts-one-of-horrors-biggest-cliches.html&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw3e094EoGxHf6TADf72p32x">Backrooms&rsquo;s Ending Cleverly Subverts One of Horror&rsquo;s Biggest Clich&eacute;s</a>, by Tasha Robinson (<a href="http://vulture.com/" data-saferedirecturl="https://www.google.com/url?q=http://vulture.com&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw0uehJjNyZa9MmpLvhP1Mwe">vulture.com</a>)
&bull;&nbsp;<a href="https://medium.com/@carolgrantr/the-indoor-generation-a96b29a1d1b5" data-saferedirecturl="https://www.google.com/url?q=https://medium.com/@carolgrantr/the-indoor-generation-a96b29a1d1b5&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw1OzJsY8IpwmXFnW8acxXyA">The Indoor Generation</a>, by Carol Grant
&bull;&nbsp;<a href="https://www.nytimes.com/2020/05/23/business/omegaverse-erotica-copyright.html" data-saferedirecturl="https://www.google.com/url?q=https://www.nytimes.com/2020/05/23/business/omegaverse-erotica-copyright.html&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw3k6omVIhEfP55kaXHALlVb">A Feud in Wolf-Kink Erotica Raises a Deep Legal Question</a>, by Alexandra Alter (<a href="http://nytimes.com/" data-saferedirecturl="https://www.google.com/url?q=http://nytimes.com&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw314pZMyttHmFTkpBrR_tN4">nytimes.com</a>)
&nbsp;
Next Pairing:&nbsp;Steven Spielberg&rsquo;s&nbsp;Disclosure Day&nbsp;and&nbsp;E.T. The Extraterrestrial&nbsp;
&nbsp;
This episode is presented by⁠&nbsp;<a href="https://www.regmovies.com/join-unlimited" data-saferedirecturl="https://www.google.com/url?q=https://www.regmovies.com/join-unlimited&amp;source=gmail&amp;ust=1781663655193000&amp;usg=AOvVaw0KTO0g5Duir-O0GtNhhciB">⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠</a>, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Negative Spaces, Pt. 2 — Backrooms

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/720596c5-cf71-4300-a547-b46b003637aa/transcript

No Regrets for Our Youth: Kurosawa’s Bold Post-War Melodrama | Dissident Cinema

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