Considering The Odyssey is one of the most famous and influential stories of all time, there had been relatively few attempts to directly translate Homer’s epic poem to the big screen until Christopher Nolan came along to do it at a blockbuster scale. It’s been more common for filmmakers, such as Joel and Ethan Coen, to use it as the loose framework for a flawed hero’s journey home, such as the one undertaken by Ulysses Everett McGill in O Brother, Where Art Thou?, a Depression-era musical comedy that maps on to Homer’s version only in the broadest of strokes. But revisiting O Brother through the lens of its stated source material, as we’re doing this week, is a revealing lesson in the malleability of adaptation, as well as the Coens’ ability to make even one of the most familiar tales in all of storytelling uniquely theirs. Then in Feedback, we finally break our silence on the indie-horror phenomenon that is Obsession.

Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Considering&nbsp;The Odyssey&nbsp;is one of the most famous and influential stories of all time, there had been relatively few attempts to directly translate Homer&rsquo;s epic poem to the big screen until Christopher Nolan came along to do it at a blockbuster scale. It&rsquo;s been more common for filmmakers, such as Joel and Ethan Coen, to use it as the loose framework for a flawed hero&rsquo;s journey home, such as the one undertaken by Ulysses Everett McGill in&nbsp;O Brother, Where Art Thou?,&nbsp;a Depression-era musical comedy that maps on to Homer&rsquo;s version only in the broadest of strokes. But revisiting&nbsp;O Brother&nbsp;through the lens of its stated source material, as we&rsquo;re doing this week, is a revealing lesson in the malleability of adaptation, as well as the Coens&rsquo; ability to make even one of the most familiar tales in all of storytelling uniquely theirs. Then in Feedback, we finally break our silence on the indie-horror phenomenon that is&nbsp;Obsession.
Please share your thoughts about&nbsp;O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to&nbsp;<a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at (773) 234-9730.
This episode is presented by⁠&nbsp;<a href="https://www.regmovies.com/join-unlimited" data-saferedirecturl="https://www.google.com/url?q=https://www.regmovies.com/join-unlimited&amp;source=gmail&amp;ust=1784684571330000&amp;usg=AOvVaw0Wm_TH21G3EKFG9ZdUf_gf">⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠</a>, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

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Home Sweet Homer, Pt. 1 — O Brother, Where Art Thou? | Next Picture Show

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/613fc7da-c70f-47f0-a2aa-b48e00378522/transcript