Padraic McKinley’s The Weight isn’t a remake ofThe Wages of Fear, though it feels deeply indebted to the H.G. Clouzot classic in its thrilling depiction of a group of outlaws on a near-impossible mission across deadly terrain. William Friedkin’s 1977 cult favorite Sorcerer technically isn’t a Wages remake, either — Friedkin insisted it was his own adaptation of the original Georges Arnaud novel — though it’s similarly difficult to watch without thinking about its predecessor. So you’ll forgive us if this week’s revisitation of Sorcerer takes a few detours into Wages as we consider how Friedkin put his own distinctive stamp on this juicy premise, whether the film’s extended prologue works toward or against its narrative momentum, and how much of Sorcerer’s notoriously arduous production comes across on screen. Then in Feedback, a listener provides a recommendation for a recent under-the-radar road movie that follows in the tire tracks of Paris, Texas and Priscilla, Queen of the Desert.

Please share your thoughts about Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730.

This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Padraic McKinley&rsquo;s The Weight isn&rsquo;t a remake ofThe Wages of Fear, though it feels deeply indebted to the H.G. Clouzot classic in its thrilling depiction of a group of outlaws on a near-impossible mission across deadly terrain. William Friedkin&rsquo;s 1977 cult favorite Sorcerer technically isn&rsquo;t a Wages remake, either &mdash; Friedkin insisted it was his own adaptation of the original Georges Arnaud novel &mdash; though it&rsquo;s similarly difficult to watch without thinking about its predecessor. So you&rsquo;ll forgive us if this week&rsquo;s revisitation of Sorcerer takes a few detours into Wages as we consider how Friedkin put his own distinctive stamp on this juicy premise, whether the film&rsquo;s extended prologue works toward or against its narrative momentum, and how much of Sorcerer&rsquo;s notoriously arduous production comes across on screen. Then in Feedback, a listener provides a recommendation for a recent under-the-radar road movie that follows in the tire tracks of Paris, Texas and Priscilla, Queen of the Desert.
Please share your thoughts about&nbsp;Sorcerer, The Weight, or anything else in the world of film, by sending an email or voice memo to&nbsp;<a href="mailto:comments@nextpictureshow.net">comments@nextpictureshow.net</a>, or leaving a short voicemail at&nbsp;<a href="tel:(773)%20234-9730">(773) 234-9730</a>.
This episode is presented by⁠ <a href="https://www.regmovies.com/join-unlimited" data-saferedirecturl="https://www.google.com/url?q=https://www.regmovies.com/join-unlimited&amp;source=gmail&amp;ust=1790129046165000&amp;usg=AOvVaw1t_ewCR6BW2_pxG4ZGYFBn">⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠</a>, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.

Adam Kempenaar and Josh Larsen review new and classic movies, offering "affable, insightful film analysis since 2005" (NY Times).

New and classic movie reviews and top 5 lists.

Filmspotting

Hazard Pay, Pt. 1 — Sorcerer

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/9b064886-7b0d-4237-bfe1-b4cd0028e60f/transcript