In this episode of Eyewitness History, I speak with Daryl Davis, an American R&B and blues musician, author, and race-relations activist whose life has uniquely bridged the worlds of music and social change.

Davis is widely known for an unconventional and controversial approach to combating racism: engaging directly with members of the Ku Klux Klan and other white supremacist groups through sustained personal dialogue. Over decades of outreach, he has persuaded dozens of Klansmen to renounce their affiliation, and he has documented these encounters in his book Klan-Destine Relationships: A Black Man’s Odyssey in the Ku Klux Klan as well as in the documentary Accidental Courtesy: Daryl Davis, Race & America (2016).

Before his activism gained national attention, Davis established himself as a respected professional musician. A gifted boogie-woogie and blues pianist and vocalist, he studied at Howard University and went on to perform with some of the most iconic figures in American music, including Chuck Berry, Jerry Lee Lewis, B.B. King, Muddy Waters, and Bo Diddley. His playing style reflects deep roots in traditional blues and early rock-and-roll piano, and he has been recognized within the Washington-area and national blues community for both his technical skill and stage presence.

 His work is grounded in a belief in communication as a tool for dismantling prejudice, summed up in his view that dialogue, not avoidance, is the most effective response to ignorance and hate.

Here, Davis reflects on his unusual journey, the philosophy behind his outreach to the Klan, and the ways music, conversation, and personal encounter have shaped his understanding of human change.