At the outset of commercial television, there were just four networks. Three you’ve heard of – they are still around today. The fourth is almost entirely forgotten. Featuring an interview with media historian David Weinstein of the National Endowment for the Humanities. Learn more at www.ephemeral.show

 Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

<p>At the outset of commercial television, there were just four networks. Three you’ve heard of – they are still around today. The fourth is almost entirely forgotten. Featuring an interview with media historian David Weinstein of the National Endowment for the Humanities. Learn more at <a href="https://www.ephemeral.show/episode/dumont">www.ephemeral.show</a></p><p> </p> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

The best source on our cultural identity is not the official, historical record — ask any anthropologist, it’s the town dump. Ephemera — those things that were just barely saved, and in some cases not saved at all — emanate with secrets we can only glimpse and mysteries we can never completely answer. The stories may be unfamiliar, but the themes are universal; this is a looking glass, a window into our own fragile, material existence that begs the question, “How will I be remembered?”

Ephemeral

At the outset of commercial television, there were just four networks. Three you’ve heard of – they are still around today. The fourth is almost entirely forgotten. Featuring an interview with media historian David Weinstein of the National Endowment for the Humanities.

DuMont

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/32768982-7b80-4240-8ec1-ae3300408eb2/transcript