Harlem and Moscow is an audio drama based on the true story of the Harlem Renaissance in the Soviet Union. Red Flags, is the official companion podcast to Harlem and Moscow. 

In this episode of Harlem and Moscow: Red Flags, host Panama Jackson is talking to experts about the people of the Harlem Renaissance who went on this trip to Moscow back in 1932. We learn more about Dorothy West, Langston Hughes, Henry Lee Moon, Louise Thompson, and others who journeyed to the Soviet Union. We also talk about other Black artists in the “Harlem and Moscow” circle like Zora Neale Hurston, Countee Cullen, Paul Robeson, and many others. Plus we dish on the gossip of the era and how surprisingly shady folks in that time were! Panama is joined by the playwright of “Harlem and Moscow” Alle Mims as well as historian, cultural critic, and author of  “Our Secret Society,” Tanisha C. Ford. 



Music Courtesy Of:

Transition

"Fantastic Voyage” Lakeside BMG Gold Songs, H&R Lastrada Music, Tiemeyer McCain Publishing Fred Alexander, Norman Paul Beavers, Marvin Craig, Frederick E. Lewis, Tiemeyer Le’Mart, Thomas Oliver Shelby, Stephen Preston Shockley, Otis Stokes, Mark Adam Wood

Harlem and Moscow is an audio drama based on the true story of the Harlem Renaissance in the Soviet Union. Red Flags, is the official companion podcast to Harlem and Moscow. 
In this episode of Harlem and Moscow: Red Flags, host Panama Jackson is talking to experts about the people of the Harlem Renaissance who went on this trip to Moscow back in 1932. We learn more about Dorothy West, Langston Hughes, Henry Lee Moon, Louise Thompson, and others who journeyed to the Soviet Union. We also talk about other Black artists in the “Harlem and Moscow” circle like Zora Neale Hurston, Countee Cullen, Paul Robeson, and many others. Plus we dish on the gossip of the era and how surprisingly shady folks in that time were! Panama is joined by the playwright of “Harlem and Moscow” Alle Mims as well as historian, cultural critic, and author of  “Our Secret Society,” Tanisha C. Ford.  
Music Courtesy Of:
Transition
"Fantastic Voyage” Lakeside BMG Gold Songs, H&amp;R Lastrada Music, Tiemeyer McCain Publishing Fred Alexander, Norman Paul Beavers, Marvin Craig, Frederick E. Lewis, Tiemeyer Le’Mart, Thomas Oliver Shelby, Stephen Preston Shockley, Otis Stokes, Mark Adam Wood

Welcome to Dear Culture, the podcast version of the conversations you’re already having with the people you don’t even realize you know.  Every week, cultural commentator and editorialist Panama Jackson will be a tour guide through some intersection of Blackness and culture. Bringing his years of experience writing and commentating on the culture from an educational and entertaining viewpoint, Dear Culture will engender everything Don King meant when he uttered the words, “...and that’s the Blackness.” We might not know where we’re going when we start, but what we do know is that by the time you get to the end, you will undoubtedly say, that was Black and that was the culture. Dear Culture is the podcast for all of the people who know the appropriate call-and-response for when somebody enters the room and says, “God is good…” because that is the culture.

Welcome to Dear Culture, the podcast version of the conversations you&rsquo;re already having with the people you don&rsquo;t even realize you know.&nbsp; Every week, cultural commentator and editorialist Panama Jackson will be a tour guide through some intersection of Blackness and culture. Bringing his years of experience writing and commentating on the culture from an educational and entertaining viewpoint, Dear Culture will engender everything Don King meant when he uttered the words, &ldquo;...and that&rsquo;s the Blackness.&rdquo; We might not know where we&rsquo;re going when we start, but what we do know is that by the time you get to the end, you will undoubtedly say, that was Black and that was the culture. Dear Culture is the podcast for all of the people who know the appropriate call-and-response for when somebody enters the room and says, &ldquo;God is good&hellip;&rdquo; because that is the culture.

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