The Comfort Zone: writer, Emma Dabiri invites Colm Tóibín and Luke Clancy to get with the subversive allure of Carl Anderson's Judas, and other hidden treasures in the 1973 film version of the Rice and Lloyd Webber musical, Jesus Christ Superstar.

The Comfort Zone: writer, Emma Dabiri invites Colm Tóibín and Luke Clancy to get with the subversive allure of Carl Anderson's Judas, and other hidden treasures in the 1973 film version of the Rice and Lloyd Webber musical, Jesus Christ Superstar.

Luke Clancy's culture come-all-ye, featuring bright spots in music, performance, film, tv and art from Ireland and the world. Broadcast Saturdays at 6.30pm, repeated Wednesdays at 9pm on RTÉ lyric fm.

Luke Clancy's culture come-all-ye, featuring bright spots in music, performance, film, tv and art from Ireland and the world. Broadcast Saturdays at 6.30pm, repeated Wednesdays at 9pm on RT&Eacute; lyric fm.

Luke Clancy's culture come-all-ye, featuring bright spots in music, performance, film, tv and art from Ireland and the world. Broadcast weekdays on Lorcan Murray's Classic Drive and Saturdays at 6.30pm on RTÉ lyric fm.

Culture File

The Comfort Zone: musician, composer and improviser, Olesya Zdorovetska encourages Colm Tóibín and Luke Clancy to encounter the many freedoms offered in Ornette Coleman's 1959 free jazz throwdown/manifesto album, The Shape of Jazz To Come.

The Comfort Zone: musician, composer and improviser, Olesya Zdorovetska encourages Colm Tóibín and Luke Clancy to encounter the many freedoms offered in Ornette Coleman's 1959 free jazz throwdown/manifesto album, The Shape of Jazz To Come.

The Shape of Jazz to Come: with Olesya Zdorovetska

Simon Reynolds has made a habit of writing books that offer to rethink the histories of popular music, such as Rip It Up and Start Again, his keywork on Post-Punk, and his story of electronic dance music, Energy Flash. Now, he's back with a highly personal history of the shapes of music from 1984 to 1994, from the hazy 'snowdrift' assaults of My Bloody Valentine, to the paraslacker aesthetics of The Smiths he calls Still In A Dream: Shoegaze Slackers and the Reinvention of Rock.

Simon Reynolds has made a habit of writing books that offer to rethink the histories of popular music, such as Rip It Up and Start Again, his keywork on Post-Punk, and his story of electronic dance music, Energy Flash. Now, he's back with a highly personal history of the shapes of music from 1984 to 1994, from the hazy 'snowdrift' assaults of My Bloody Valentine, to the paraslacker aesthetics of The Smiths he calls Still In A Dream: Shoegaze Slackers and the Reinvention of Rock.

Still In A Dream with Simon Reynolds | Culture File

Growing up on tour with Neil Diamond gave Daisy Press a unique outlook on the magic and mysteries of music, and started a journey that leads from Indian Ragas via the 12th century chant of Hildegard von Bingen -- all the way to the engaged minimalism of Frederic Rzewski, whose work she performs at this weekend's Louth Contemporary Music Society festival, Coming Together.

Growing up on tour with Neil Diamond gave Daisy Press a unique outlook on the magic and mysteries of music, and started a journey that leads from Indian Ragas via the 12th century chant of Hildegard von Bingen -- all the way to the engaged minimalism of Frederic Rzewski, whose work she performs at this weekend's Louth Contemporary Music Society festival, Coming Together.

Culture File

In 1 playlist(s)

Culture File

Social links

Follow podcast

Recent clips