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In April of 1896, the Louvre announced it had purchased a tiara they believed must have been from the treasure house of a great Scythian king -- and that it had the exciting potential to rewrite ancient history. But only a few days after putting it on display, there were questions about its authenticity. The tiara, they would come to learn, was a fake. And in this episode, we're talking about it as part of a larger conversation of, how much art in museums is not what it seems?

Executive Producers: Maria Trimarchi and Holly Frey
Producer & Editor: Casby Bias

In April of 1896, the Louvre announced it had purchased a tiara they believed must have been from the treasure house of a great Scythian king -- and that it had the exciting potential to rewrite ancient history. But only a few days after putting it on display, there were questions about its authenticity. The tiara, they would come to learn, was a fake. And in this episode, we're talking about it as part of a larger conversation of, how much art in museums is not what it seems?
Executive Producers: Maria Trimarchi and Holly Frey Producer &amp; Editor: Casby Bias

Humans have always committed crimes. What can we learn from the criminals and crimes of the past, and have humans gotten better or worse over time?

Criminalia

The Tiara of Saitaphernes: How Much Art in Museums Is Not What It Seems?

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/e9a49a72-b6d0-45f5-b525-b0aa00f7e22b/transcript