This symphony takes its inspiration from the blues in the 1920s, which were much different than the blues we typically hear today. Join us to learn how Still uniquely brought different styles of music together, new instruments in the orchestra, and his motivation.  

This symphony takes its inspiration from the blues in the 1920s, which were much different than the blues we typically hear today. Join us to learn how Still uniquely brought different styles of music together, new instruments in the orchestra, and his motivation.

John Banther takes classical music fans behind the scenes with interviews, deep dives, and analysis. Episodes released bi-weekly on Tuesdays. Produced by WETA Classical in Washington, D.C.

John Banther takes classical music fans behind the scenes with interviews, deep dives, and analysis. Episodes released bi-weekly on Tuesdays. Produced by WETA Classical in Washington, D.C.

The fascinating and entertaining stories behind classical music

Classical Breakdown

WG Still's Afro-American Symphony: Blues idioms, new instruments, and a uniquely American style

We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Banther and Evan Keely take a look at one of the defining works in the genre, show you what to listen for, and discuss why Haydn might have written it in the first place

We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Banther and Evan Keely take a look at one of the defining works in the genre, show you what to listen for, and discuss why Haydn might have written it in the first place

Haydn's masterpiece for 4 soloists and orchestra, the Sinfonia Concertante

https://api.omny.fm/orgs/e23a54f7-c561-4492-8a44-ac4c0137c99d/clips/483e9163-af50-45f7-835f-b142014c1b3b/transcript

It's one of the most common musical instruments, but where did it come from and how did we get here? John Banther and Linda Carducci go on a journey through time to trace the evolution of the piano and its various forms. Plus, why is it so fun to see pianos fall from high places??

It's one of the most common musical instruments, but where did it come from and how did we get here? John Banther and Linda Carducci go on a journey through time to trace the evolution of the piano and its various forms. Plus, why is it so fun to see pianos fall from high places??

The Evolution of the Piano: A Thousand Year Journey!

https://api.omny.fm/orgs/e23a54f7-c561-4492-8a44-ac4c0137c99d/clips/2c488617-d3ef-45cf-ba11-b14200fc3937/transcript

There aren't that many examples of a "concerto" for orchestra, and in Joan Tower's, it's an electrifying world of rhythm, motion, and even deception! John Banther and Evan Keely explore this concerto by one of the most successful and recorded American composers. 

There aren't that many examples of a "concerto" for orchestra, and in Joan Tower's, it's an electrifying world of rhythm, motion, and even deception! John Banther and Evan Keely explore this concerto by one of the most successful and recorded American composers.

Joan Tower's Concerto for Orchestra, an adventure in color, illusion, and rhythm!

https://api.omny.fm/orgs/e23a54f7-c561-4492-8a44-ac4c0137c99d/clips/165e9ca3-4459-4340-85d2-b13400e0ed09/transcript

WG Still's Afro-American Symphony: Blues idioms, new instruments, and a uniquely American style

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