There aren't that many examples of a "concerto" for orchestra, and in Joan Tower's, it's an electrifying world of rhythm, motion, and even deception! John Banther and Evan Keely explore this concerto by one of the most successful and recorded American composers. 

There aren't that many examples of a "concerto" for orchestra, and in Joan Tower's, it's an electrifying world of rhythm, motion, and even deception! John Banther and Evan Keely explore this concerto by one of the most successful and recorded American composers.

John Banther takes classical music fans behind the scenes with interviews, deep dives, and analysis. Episodes released bi-weekly on Tuesdays. Produced by WETA Classical in Washington, D.C.

John Banther takes classical music fans behind the scenes with interviews, deep dives, and analysis. Episodes released bi-weekly on Tuesdays. Produced by WETA Classical in Washington, D.C.

The fascinating and entertaining stories behind classical music

Classical Breakdown

Joan Tower's Concerto for Orchestra, an adventure in color, illusion, and rhythm!

https://api.omny.fm/orgs/e23a54f7-c561-4492-8a44-ac4c0137c99d/clips/165e9ca3-4459-4340-85d2-b13400e0ed09/transcript

We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Banther and Evan Keely take a look at one of the defining works in the genre, show you what to listen for, and discuss why Haydn might have written it in the first place

We've come to know the concerto as a work showcasing a single soloist with (or sometimes against) an orchestra, but what if a work has not 1... but 4 soloists at the same time? And what if it is also bringing in ideas from the symphony? John Banther and Evan Keely take a look at one of the defining works in the genre, show you what to listen for, and discuss why Haydn might have written it in the first place

Haydn's masterpiece for 4 soloists and orchestra, the Sinfonia Concertante

https://api.omny.fm/orgs/e23a54f7-c561-4492-8a44-ac4c0137c99d/clips/483e9163-af50-45f7-835f-b142014c1b3b/transcript

It's one of the most common musical instruments, but where did it come from and how did we get here? John Banther and Linda Carducci go on a journey through time to trace the evolution of the piano and its various forms. Plus, why is it so fun to see pianos fall from high places??

It's one of the most common musical instruments, but where did it come from and how did we get here? John Banther and Linda Carducci go on a journey through time to trace the evolution of the piano and its various forms. Plus, why is it so fun to see pianos fall from high places??

The Evolution of the Piano: A Thousand Year Journey!

https://api.omny.fm/orgs/e23a54f7-c561-4492-8a44-ac4c0137c99d/clips/2c488617-d3ef-45cf-ba11-b14200fc3937/transcript

Have you ever wondered how to record an orchestra but were too afraid to ask? Critically acclaimed recording engineer Charles Lawson spends his days recording the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts. He tells us how it all comes together, philosophy, and near disasters!

Have you ever wondered how to record an orchestra but were too afraid to ask? Critically acclaimed recording engineer Charles Lawson spends his days recording the National Symphony Orchestra at the John F. Kennedy Center for the Performing Arts. He tells us how it all comes together, philosophy, and near disasters!

Joan Tower's Concerto for Orchestra, an adventure in color, illusion, and rhythm!

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