Brazil

Edward Scissorhands

To officially conclude this year's Extra Milestone lineup, Jon Negroni and Will Ashton of the Cinemaholics podcast joined forces with me one last time to discuss two distinct (and oddly holiday-centric) auteur-driven classics. We start our conversation by digging through the muck of Terry Gilliam's Brazil, a bureaucratic odyssey of madness often regarded as one of the greatest films of all time. After that, we jump forward to Edward Scissorhands, an intensely personal story from Tim Burton that is both lighthearted and melancholy, and which has affected us all at one point or another.

SHOW NOTES:
00:02:06 – Brazil
01:04:16 – Edward Scissorhands

HOSTED BY: Sam Noland, Jon Negroni, and Will Ashton

MUSIC IN THIS EPISODE: "Office Theme" from Brazil composed by Michael Kamen and based off Ary Barroso's "Aquarela do Brasil," music from Edward Scissorhands composed by Danny Elfman

 

To officially conclude this year's Extra Milestone lineup, Jon Negroni and Will Ashton of the Cinemaholics podcast joined forces with me one last time to discuss two distinct (and oddly holiday-centric) auteur-driven classics. We start our conversation by digging through the muck of Terry Gilliam's Brazil, a bureaucratic odyssey of madness often regarded as one of the greatest films of all time. After that, we jump forward to Edward Scissorhands, an intensely personal story from Tim Burton that is both lighthearted and melancholy, and which has affected us all at one point or another.
SHOW NOTES:
<ul aria-multiline="true" aria-label="Block: List" data-block="0c6feccd-7827-407a-ade9-7a51e9797d6c" data-type="core/list" data-title="List">
<li>00:02:06 &ndash; Brazil</li>
<li>01:04:16 &ndash; Edward Scissorhands</li>
</ul>
HOSTED BY:&nbsp;<a href="https://letterboxd.com/sjnoland/">Sam Noland</a>, <a href="https://twitter.com/JonNegroni">Jon Negroni</a>, and <a href="https://twitter.com/thewillofash">Will Ashton</a>
MUSIC IN THIS EPISODE:&nbsp;"Office Theme" from Brazil composed by Michael Kamen and based off Ary Barroso's "Aquarela do Brasil," music from Edward Scissorhands composed by Danny Elfman
<hr aria-label="Block: Separator" data-block="4ffc91ac-ed5a-4068-9ad4-a52425c219b3" data-type="core/separator" data-title="Separator">
&nbsp;

Don't know what to watch? Join film critics Jon Negroni and Will Ashton for no-nonsense conversations about the latest films coming to theaters and streaming online. They may not always agree, but one thing's for sure. They're both Cinemaholics.

Don't know what to watch? Join film critics Jon Negroni and Will Ashton for no-nonsense conversations about the latest films coming to theaters and streaming online. They may not always agree, but one thing's for sure. They're both Cinemaholics.

Don't know what to watch? Join Jon Negroni of Atom Tickets, Will Ashton of CinemaBlend, and Abby Olcese of The Pitch for no-nonsense conversations about the latest films coming to theaters and streaming online. And tune in to our bonus show, Extra Milestone, where host Sam Noland brings on a different guest each week to spotlight classic film anniversaries.

Cinemaholics

Every week on Extra Milestone, we celebrate a classic film anniversary from the archives of movie history. These are the films that have impacted the landscape of cinema for the better, making them as relevant today as they were upon first release. Hosted by Sam Noland and featuring guests from across the Cinemaholics podcast network and beyond.

Every week on Extra Milestone, we celebrate a classic film anniversary from the archives of movie history. These are the films that have impacted the landscape of cinema for the better, making them as relevant today as they were upon first release. Hosted by Sam Noland and featuring guests from across the Cinemaholics podcast network and beyond.

Every week on Extra Milestone, we celebrate a recent film anniversary from the archives of classic cinema.

Extra Milestone – Classic Film Reviews

To officially conclude this year's Extra Milestone lineup, Jon Negroni and Will Ashton of the Cinemaholics podcast joined forces with me one last time to discuss two distinct (and oddly holiday-centric) auteur-driven classics. We start our conversation by digging through the muck of Terry Gilliam's Brazil, a bureaucratic odyssey of madness often regarded as one of the greatest films of all time. After that, we jump forward to Edward Scissorhands, an intensely personal story from Tim Burton that is both lighthearted and melancholy, and which has affected us all at one point or another.

Brazil (1985), Edward Scissorhands (1990)

What kind of Cinemaholic are you? While Jon Negroni is out of the country, Will Ashton and special guest Cory Woodroof hold down the fort, so to speak, and discuss Alex Garland's explosive new film, Civil War. A24's most expensive film to date, and likely to be one of their highest grossers to boot, the war drama stars Kirsten Dunst, Cailee Spaney, Wagner Moura, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons, and it has had everyone talking since it blew into theaters on April 12. Find out what the Will Forces and The Republic of Cory have to say about this election year blockbuster.

Our intro music this week is “Tarantino Margarita” by l’eupe.

Links:
Email your feedback for the show to cinemaholicspodcast [at] gmail.com
Join our Discord! We have a Cinemaholics channel here.
Follow us on Twitter: Jon Negroni, Will Ashton
Check out our Cinemaholics Merch!
Check out our Patreon to support Cinemaholics!
Connect with Cinemaholics on Facebook and Instagram.

What kind of Cinemaholic are you? While Jon Negroni is out of the country, Will Ashton and special guest Cory Woodroof hold down the fort, so to speak, and discuss Alex Garland's explosive new film, Civil War. A24's most expensive film to date, and likely to be one of their highest grossers to boot, the war drama stars Kirsten Dunst, Cailee Spaney, Wagner Moura, Stephen McKinley Henderson, Nick Offerman, and Jesse Plemons, and it has had everyone talking since it blew into theaters on April 12. Find out what the Will Forces and The Republic of Cory have to say about this election year blockbuster.
Our intro music this week is “Tarantino Margarita” by l’eupe.
<hr>
Links:
<ul>
<li>Email your feedback for the show to cinemaholicspodcast [at] gmail.com</li>
<li>Join our Discord! We have a Cinemaholics channel <a href="https://discord.gg/wG5g8RR4m2">here</a>.</li>
<li>Follow us on Twitter: <a href="https://twitter.com/JonNegroni">Jon Negroni</a>, <a href="https://twitter.com/thewillofash">Will Ashton</a></li>
<li>Check out <a href="https://cinemaholics.com/cinemaholics-merchandise/">our Cinemaholics Merch</a>!</li>
<li>Check out <a href="https://www.patreon.com/cinemaholics">our Patreon</a> to support Cinemaholics!</li>
<li>Connect with Cinemaholics on <a href="https://www.facebook.com/CinemaholicsPodcast/">Facebook</a> and <a href="https://www.instagram.com/cinemaholics___/?hl=en">Instagram</a>.</li>
</ul>

Civil War

The 96th Academy Awards have exited the building, but we're just getting started on talking Oscars 2024! We discuss the nominees and pick our own winners, while also recapping the "actual" winners from the "actual" ceremony. Will the Cinemaholics agree with the Academy, or even (gasp) each other?! Don't change the channel if you want to find out!

Our intro music this week is the opening television intro for "Sickle & Ebert: If We Picked The Winners" from March 24, 1990.

Links:
Email your feedback for the show to cinemaholicspodcast [at] gmail.com
Join our Discord! We have a Cinemaholics channel here.
Follow us on Twitter: Jon Negroni, Will Ashton
Check out our Cinemaholics Merch!
Check out our Patreon to support Cinemaholics!
Connect with Cinemaholics on Facebook and Instagram.

The 96th Academy Awards have exited the building, but we're just getting started on talking Oscars 2024! We discuss the nominees and pick our own winners, while also recapping the "actual" winners from the "actual" ceremony. Will the Cinemaholics agree with the Academy, or even (gasp) each other?! Don't change the channel if you want to find out!
Our intro music this week is the opening television intro for "Sickle &amp; Ebert: If We Picked The Winners" from March 24, 1990.
<hr>
Links:
<ul>
<li>Email your feedback for the show to cinemaholicspodcast [at] gmail.com</li>
<li>Join our Discord! We have a Cinemaholics channel <a href="https://discord.gg/wG5g8RR4m2">here</a>.</li>
<li>Follow us on Twitter: <a href="https://twitter.com/JonNegroni">Jon Negroni</a>, <a href="https://twitter.com/thewillofash">Will Ashton</a></li>
<li>Check out <a href="https://cinemaholics.com/cinemaholics-merchandise/">our Cinemaholics Merch</a>!</li>
<li>Check out <a href="https://www.patreon.com/cinemaholics">our Patreon</a> to support Cinemaholics!</li>
<li>Connect with Cinemaholics on <a href="https://www.facebook.com/CinemaholicsPodcast/">Facebook</a> and <a href="https://www.instagram.com/cinemaholics___/?hl=en">Instagram</a>.</li>
</ul>

Oscars 2024 – If We Picked The Winners!

This week, we finally discuss the release and reception of Dune: Part Two, directed by Denis Villeneuve. After a delayed release and somewhat botched streaming strategy with the last film, Warner Bros. gave the sci-fi epic another chance to spice up the box office. But does Dune: Part Two fulfill the prophecy of that last film and Frank Herbert's 1965 novel?

Dune: Part Two opened in theaters on March 1. It was directed by Denis Villeneuve, who co-wrote the screenplay with Jon Spaights. The film stars Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Dave Bautista, Stellan Skarsgård, Charlotte Rampling, and Javier Bardem, Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux, and Souheila Yacoub.

Our intro music this week is “Tarantino Margarita” by l’eupe.

Links:
Email your feedback for the show to cinemaholicspodcast [at] gmail.com
Join our Discord! We have a Cinemaholics channel here.
Follow us on Twitter: Jon Negroni, Will Ashton
Check out our Cinemaholics Merch!
Check out our Patreon to support Cinemaholics!
Connect with Cinemaholics on Facebook and Instagram.

Discussion Points: 
Unpacking the backstory of these movies
The delayed release and why streaming too soon didn't work
The Chosen One Trope and how it's subverted
Our general takes on the film and if it's "fulfilling"
Christopher Walken's performance...yay or nay?
Sandworms. That is all.
Adapting Dune to make it more accessible...
Why we care about Paul Atreides
What makes the film immersive and "weird"
Villeneuve's passion for this story
The ideal theatrical experience and impact of the music
What will Villeneuve do next?
Rotten Tomatoes Game: What do critics and audiences generally think?

This week, we finally discuss the release and reception of Dune: Part Two, directed by Denis Villeneuve. After a delayed release and somewhat botched streaming strategy with the last film, Warner Bros. gave the sci-fi epic another chance to spice up the box office. But does Dune: Part Two fulfill the prophecy of that last film and Frank Herbert's 1965 novel?
Dune: Part Two opened in theaters on March 1. It was directed by Denis Villeneuve, who co-wrote the screenplay with Jon Spaights. The film stars Timothée Chalamet, Zendaya, Rebecca Ferguson, Josh Brolin, Dave Bautista, Stellan Skarsgård, Charlotte Rampling, and Javier Bardem, Austin Butler, Florence Pugh, Christopher Walken, Léa Seydoux, and Souheila Yacoub.
Our intro music this week is “Tarantino Margarita” by l’eupe.
<hr>
Links:
<ul>
<li>Email your feedback for the show to cinemaholicspodcast [at] gmail.com</li>
<li>Join our Discord! We have a Cinemaholics channel <a href="https://discord.gg/wG5g8RR4m2">here</a>.</li>
<li>Follow us on Twitter: <a href="https://twitter.com/JonNegroni">Jon Negroni</a>, <a href="https://twitter.com/thewillofash">Will Ashton</a></li>
<li>Check out <a href="https://cinemaholics.com/cinemaholics-merchandise/">our Cinemaholics Merch</a>!</li>
<li>Check out <a href="https://www.patreon.com/cinemaholics">our Patreon</a> to support Cinemaholics!</li>
<li>Connect with Cinemaholics on <a href="https://www.facebook.com/CinemaholicsPodcast/">Facebook</a> and <a href="https://www.instagram.com/cinemaholics___/?hl=en">Instagram</a>.</li>
</ul>
Discussion Points: 
<ul>
<li>Unpacking the backstory of these movies</li>
<li>The delayed release and why streaming too soon didn't work</li>
<li>The Chosen One Trope and how it's subverted</li>
<li>Our general takes on the film and if it's "fulfilling"</li>
<li>Christopher Walken's performance...yay or nay?</li>
<li>Sandworms. That is all.</li>
<li>Adapting Dune to make it more accessible...</li>
<li>Why we care about Paul Atreides</li>
<li>What makes the film immersive and "weird"</li>
<li>Villeneuve's passion for this story</li>
<li>The ideal theatrical experience and impact of the music</li>
<li>What will Villeneuve do next?</li>
<li>Rotten Tomatoes Game: What do critics and audiences generally think?</li>
</ul>

Brazil (1985), Edward Scissorhands (1990)

Extra Milestone – Classic Film Reviews

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