Sylvan Esso’s Nick Sanborn and Amelia Meath have been making music together since 2013, when Amelia asked Nick, a music producer and bassist, to remix her band Mountain Man’s hit single “Play It Right.” He did, and the rest is history. Sylvan Esso has always had a very sleek, electro-pop feel to their production. Amelia’s powerful voice is front and center, surrounded by harmonies and samples of her own voice. Nick’s genre-destroying bass creates intricate, pulsing grooves for Amelia’s voice to inhabit.

Now, the married couple and electronic duo have released their fourth studio album, No Rules Sandy. It’s a follow-up to the band’s Grammy-nominated 2020 album, Free Love. The new album is a mix of improvisation and experimentation. On today’s episode, Bruce Headlam speaks with Amelia and Nick about their creative process and how No Rules Sandy came to be. They also play two songs off their new album live.

You can hear a playlist of some of our favorite Sylvan Esso songs HERE.

Sylvan Esso’s Nick Sanborn and Amelia Meath have been making music together since 2013, when Amelia asked Nick, a music producer and bassist, to remix her band Mountain Man’s hit single “Play It Right.” He did, and the rest is history. Sylvan Esso has always had a very sleek, electro-pop feel to their production. Amelia’s powerful voice is front and center, surrounded by harmonies and samples of her own voice. Nick’s genre-destroying bass creates intricate, pulsing grooves for Amelia’s voice to inhabit.
Now, the married couple and electronic duo have released their fourth studio album, No Rules Sandy. It’s a follow-up to the band’s Grammy-nominated 2020 album, Free Love. The new album is a mix of improvisation and experimentation. On today’s episode, Bruce Headlam speaks with Amelia and Nick about their creative process and how No Rules Sandy came to be. They also play two songs off their new album live.
You can hear a playlist of some of our favorite Sylvan Esso songs <a href="https://open.spotify.com/playlist/7taHpP2RIdwf2Ue3Oa6bdA?si=a5526d2b94f84d25">HERE</a>.

From Rick Rubin, Malcolm Gladwell, Bruce Headlam, and Justin Richmond. The musicians you love talk about their life, inspiration, and craft. Then play. iHeartMedia is the exclusive podcast partner of Pushkin Industries.

Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Sylvan Esso

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/1f0f7184-e0d6-4f78-bde7-af23012f1411/transcript

Stone Gossard and Jeff Ament are two of the Seattle scene’s most foundational musicians from the 80’s and 90’s. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney.

Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy’s death, Jeff and Stone started recording with Soundgarden’s Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder.

Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years.

Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne.

On today’s episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt’s encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem.

You can hear a playlist of some of our favorite Pearl Jam songs HERE.

Stone Gossard and Jeff Ament are two of the Seattle scene’s most foundational musicians from the 80’s and 90’s. Stone and Jeff started playing together in 1984 as members of Green River, which eventually dissolved, leading singer Mark Arm to form Mudhoney.
Later, Jeff played bass and Stone played guitar in Mother Love Bone until their lead singer Andrew Wood died of an overdose just days before their major label debut in March of 1990. Reeling from Andy’s death, Jeff and Stone started recording with Soundgarden’s Chris Cornell on a side project called Temple Of The Dog that featured vocals from a then unknown singer from San Diego named Eddie Vedder.
Later that year, Jeff and Stone asked Eddie to join their new band with guitarist Mike McCready. As Pearl Jam, they released their debut album Ten in August of ‘91—the album went 13 times platinum and charted on Billboard for nearly five years.
Since then, Pearl Jam have released 11 more albums and built a die-hard fan base thanks in part to their outstanding live shows. Last week they released their latest album, Dark Matter, which was produced by Andrew Watt, who's recently worked with Miley Cyrus, Iggy Pop, Post Malone and Ozzy Osborne.
On today’s episode Leah Rose talks to Stone Gossard and Jeff Ament about how Andrew Watt’s encyclopedic knowledge of Pearl Jam helped inspire some of their best performances to date. Stone and Jeff also open up about the inner-workings of their professional relationship, and Stone remembers the first time he met Eddie Vedder, who marked the occasion by passing him a hand-written poem.
You can hear a playlist of some of our favorite Pearl Jam songs <a href="https://open.spotify.com/playlist/0L9r92ds9nrZdGv4UAla7c?si=0cacfaa5f4654611">HERE</a>.

Pearl Jam's Stone Gossard and Jeff Ament

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/9d2a3411-890d-4351-9672-b15a0134158b/transcript

16 years have passed since The Black Crowes released an album of new material. The world has changed a lot since then—and so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the band. They started playing together back in Georgia in 1984 as Mr. Crowe’s Garden before moving to NYC, signing to Def American, and changing their name to The Black Crowes.

The band’s debut album, Shake Your Money Maker, set them up as the torchbearers of Southern rock for the '90s and beyond. As you’ll hear in today's conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years. But now they’re back united and seemingly in it for the long haul with their new album, Happiness Bastards.

On today’s episode Justin Richmond talks to Chris Robinson about his growing up in Georgia with Rich, their dad’s rockabilly career, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville.

You can hear a playlist of some of our favorite songs from Chris Robinson & The Black Crowes HERE.

16 years have passed since The Black Crowes released an album of new material. The world has changed a lot since then—and so have the Robinson brothers. Chris and Rich Robinson are, of course, the backbone of the band. They started playing together back in Georgia in 1984 as Mr. Crowe’s Garden before moving to NYC, signing to Def American, and changing their name to The Black Crowes.
The band’s debut album, Shake Your Money Maker, set them up as the torchbearers of Southern rock for the '90s and beyond. As you’ll hear in today's conversation, the brothers Robinson have had a competitive relationship for a long time. Their ups and downs have meant hiatuses for the band over the years. But now they’re back united and seemingly in it for the long haul with their new album, Happiness Bastards.
On today’s episode Justin Richmond talks to Chris Robinson about his growing up in Georgia with Rich, their dad’s rockabilly career, and how his road habits have changed from indulging in champagne and other substances to reading Herman Melville.
You can hear a playlist of some of our favorite songs from Chris Robinson &amp; The Black Crowes <a href="https://open.spotify.com/playlist/2v1UNTOz7ps0xAdipPLRk9?si=412190f6a6c84e5e">HERE</a>.

Chris Robinson

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/525c938c-9289-46a2-88c1-b153012089f8/transcript

Famed drummer for the Police and composer Stewart Copeland has one of the more fascinating bios in modern music. His father was a founding member of the CIA and his mom worked in British Intelligence.

After playing in the successful UK prog rock band Curved Air in the mid 70s, Stewart started a new band called the Police with bassist and lead singer, Sting—and eventually guitarist Andy Summers. Over the next decade the Police would go on to become one of the top-selling rock bands of all time, selling over 75 million records.

Last year Stewart released the book, “Stewart Copeland’s Police Diaries,” which includes his personal notes dating back to the band’s formation in 1976 through 1978, when they started to take off.

On today’s episode Bruce Headlam talks to Stewart Copeland about the first time he saw Sting play and how he was able to successfully lure him into his then non-existent band. Stewart also explains why he and Sting eventually had a musical falling out, and how the Arabic rhythms he heard growing up influenced his highly lauded drumming style.

You can hear a playlist of some of our favorite songs from Stewart Copeland and The Police HERE.

Famed drummer for the Police and composer Stewart Copeland has one of the more fascinating bios in modern music. His father was a founding member of the CIA and his mom worked in British Intelligence.
After playing in the successful UK prog rock band Curved Air in the mid 70s, Stewart started a new band called the Police with bassist and lead singer, Sting—and eventually guitarist Andy Summers. Over the next decade the Police would go on to become one of the top-selling rock bands of all time, selling over 75 million records.
Last year Stewart released the book, “Stewart Copeland’s Police Diaries,” which includes his personal notes dating back to the band’s formation in 1976 through 1978, when they started to take off.
On today’s episode Bruce Headlam talks to Stewart Copeland about the first time he saw Sting play and how he was able to successfully lure him into his then non-existent band. Stewart also explains why he and Sting eventually had a musical falling out, and how the Arabic rhythms he heard growing up influenced his highly lauded drumming style.
You can hear a playlist of some of our favorite songs from Stewart Copeland and The Police <a href="https://open.spotify.com/playlist/3InfAQjTM9VYEwmTFsca4C?si=509754d1e5864873">HERE</a>.

Stewart Copeland

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/057640c0-35e4-4f9f-b395-b14c01613f74/transcript

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Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

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