Broken Record Presents: Aim Higher — the last episode of Against the Rules Season 2.

Can everyone be coached — or are some people beyond help?
The transformative power of coaching is put to the test as Michael enlists a coach to help him tackle his greatest fear.

 Learn more about your ad-choices at https://www.iheartpodcastnetwork.com

Broken Record Presents: Aim Higher — the last episode of Against the Rules Season 2.Can everyone be coached — or are some people beyond help?<ul><li>The transformative power of coaching is put to the test as Michael enlists a coach to help him tackle his greatest fear.</li></ul> Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

Music and storytelling meet on Broken Record, where artists across genres and generations sit down to explore the joy, chaos, and vulnerability of creating—and what it means to devote a life to music. From legendary icons to groundbreaking new voices, each episode captures artists in conversation sharing the inspirations and experiences that shape their craft.

Music and storytelling meet on Broken Record, where artists across genres and generations sit down to explore the joy, chaos, and vulnerability of creating&mdash;and what it means to devote a life to music. From legendary icons to groundbreaking new voices, each episode captures artists in conversation sharing the inspirations and experiences that shape their craft.

Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

Broken Record Presents: Aim Higher

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/cc543e5b-dc63-4e85-98e1-ae32008c12ee/transcript

Melissa Auf der Maur came of age in Montreal's bohemian art scene in the '80s and early '90s, at the very moment that alternative rock was becoming the defining sound of a generation. Through an unlikely chain of events, her band Tinker landed an opening slot for the Smashing Pumpkins, and Billy Corgan, sensing her natural talent on bass, recommended her to Courtney Love. What followed was a turbulent apprenticeship. Auf der Maur joined Hole for the Live Through This tour in 1994, just weeks after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff. She later toured with the Smashing Pumpkins, released two solo albums, and has since built a life as a musician, photographer, and cultural curator, co-founding Basilica Hudson, a multidisciplinary arts center in New York's Hudson Valley.

Melissa Auf der Maur's book, "Even the Good Girls Will Cry" is a bestseller, part rock memoir, part travel diary, and part psychedelic scrapbook. It's a vivid dispatch from the last analog decade that captures that era in all its messy, angsty glory. Auf der Maur writes with the tenderness of a true survivor: about the illness and death of her father, her past relationship with Dave Grohl, and her complicated, deeply human portrait of Courtney Love. Now she's following it with a companion photo book, "My 90's Rock Photographs," drawn from the remarkable archive she shot from inside one of the most photographed moments in music history.

On today's episode, Justin Richmond talks to Melissa Auf der Maur about both projects - how her parents encouraged an unconventional life in the arts, how alternative music went mainstream, and how her relationship with Courtney Love has evolved over the years.

Melissa Auf der Maur came of age in Montreal's bohemian art scene in the '80s and early '90s, at the very moment that alternative rock was becoming the defining sound of a generation. Through an unlikely chain of events, her band Tinker landed an opening slot for the Smashing Pumpkins, and Billy Corgan, sensing her natural talent on bass, recommended her to Courtney Love. What followed was a turbulent apprenticeship. Auf der Maur joined Hole for the Live Through This tour in 1994, just weeks after the deaths of Kurt Cobain and Hole's prior bassist, Kristen Pfaff. She later toured with the Smashing Pumpkins, released two solo albums, and has since built a life as a musician, photographer, and cultural curator, co-founding Basilica Hudson, a multidisciplinary arts center in New York's Hudson Valley.
Melissa Auf der Maur's book, "Even the Good Girls Will Cry" is a bestseller, part rock memoir, part travel diary, and part psychedelic scrapbook. It's a vivid dispatch from the last analog decade that captures that era in all its messy, angsty glory. Auf der Maur writes with the tenderness of a true survivor: about the illness and death of her father, her past relationship with Dave Grohl, and her complicated, deeply human portrait of Courtney Love. Now she's following it with a companion photo book, "My 90's Rock Photographs," drawn from the remarkable archive she shot from inside one of the most photographed moments in music history.
On today's episode, Justin Richmond talks to Melissa Auf der Maur about both projects - how her parents encouraged an unconventional life in the arts, how alternative music went mainstream, and how her relationship with Courtney Love has evolved over the years.

Melissa Auf der Maur

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/3b9efbe9-66a2-44b6-bceb-b48700196067/transcript

Today we're revisiting a conversation with acclaimed British guitarist Johny Marr. Marr started playing guitar as a young teenager growing up in Manchester. When he turned 15 he dropped out of school and moved to London to join the band Sister Ray.

A couple years later he would help form The Smiths with Morrissey, Mike Joyce, and Marr’s friend and bassist, Andy Rourke. After The Smiths broke up in 1987, Marr went on to collaborate with an array of different musicians and play in bands like The Pretenders, The The, and Modest Mouse.

On today’s episode Justin Richmond talks to Johnny Marr about his exciting work scoring movies with Pharrell and Hans Zimmer. Marr also recalls the terror he felt performing live in front of stadiums full of fans with The Pretenders on U2’s Joshua Tree tour. And he talks about the time he bought a Fender Stratocaster while hanging out with Oasis’ Noel Gallager. That Strat has nine pickups and it eventually led to him writing one the best songs of his solo career.

You can hear a playlist of some of our favorite Johnny Marr songs HERE.

Today we're revisiting a conversation with acclaimed British guitarist Johny Marr. Marr started playing guitar as a young teenager growing up in Manchester. When he turned 15 he dropped out of school and moved to London to join the band Sister Ray.
A couple years later he would help form The Smiths with Morrissey, Mike Joyce, and Marr&rsquo;s friend and bassist, Andy Rourke. After The Smiths broke up in 1987, Marr went on to collaborate with an array of different musicians and play in bands like The Pretenders, The The, and Modest Mouse.
On today&rsquo;s episode Justin Richmond talks to Johnny Marr about his exciting work scoring movies with Pharrell and Hans Zimmer. Marr also recalls the terror he felt performing live in front of stadiums full of fans with The Pretenders on U2&rsquo;s Joshua Tree tour. And he talks about the time he bought a Fender Stratocaster while hanging out with Oasis&rsquo; Noel Gallager. That Strat has nine pickups and it eventually led to him writing one the best songs of his solo career.
You can hear a playlist of some of our favorite Johnny Marr songs <a href="https://open.spotify.com/playlist/3GAhVOi6RFmXJ01QWmUeQ8?si=6921549a45a74f3d&amp;nd=1">HERE</a>.

Rewind: Johnny Marr

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/4a70b7f8-04d3-43d9-a20e-b47f01455110/transcript

Joe Jackson showed up in the late '70s UK New Wave scene, all nervous energy and biting wit, with hits like "Is She Really Going Out with Him?" putting him in the same conversation as Elvis Costello and Squeeze. But where a lot of his peers stayed in their lane musically, Jackson kept moving: into the jump-blues swing of "Jumpin' Jive," into the sophisticated, Latin-tinged jazz of Night and Day, and then into classical composition, into a music-hall concept album framed around a fictional Edwardian performer named Max Champion. He's rarely made the same record twice, and that restlessness has probably cost him the kind of mainstream consistency that turns an artist into a household name.

On today's episode, Justin Richmond sits down with Joe to talk about his new studio album Hope and Fury, digging into the songwriting on it and on older records, Joe's collaboration with his longtime and criminally underrated bassist Graham Maby, and why comedy is such an important part of Joe's artistic sensibility.

You can hear a playlist of some of our favorite songs from Joe Jackson HERE.

Joe Jackson showed up in the late '70s UK New Wave scene, all nervous energy and biting wit, with hits like "Is She Really Going Out with Him?" putting him in the same conversation as Elvis Costello and Squeeze. But where a lot of his peers stayed in their lane musically, Jackson kept moving: into the jump-blues swing of "Jumpin' Jive," into the sophisticated, Latin-tinged jazz of Night and Day, and then into classical composition, into a music-hall concept album framed around a fictional Edwardian performer named Max Champion. He's rarely made the same record twice, and that restlessness has probably cost him the kind of mainstream consistency that turns an artist into a household name.
On today's episode, Justin Richmond sits down with Joe to talk about his new studio album Hope and Fury, digging into the songwriting on it and on older records, Joe's collaboration with his longtime and criminally underrated bassist Graham Maby, and why comedy is such an important part of Joe's artistic sensibility.
You can hear a playlist of some of our favorite songs from Joe Jackson <a href="https://open.spotify.com/playlist/7xj967S2krceT2JAQ6ULlD?si=9ab88cf0fc7c447d&amp;nd=1&amp;dlsi=d36d0052fc1344d6">HERE</a>.

Joe Jackson

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/ab740a00-93e6-45a0-8171-b4780179c8dc/transcript

Broken Record Presents: Aim Higher

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Broken Record with Rick Rubin, Malcolm Gladwell, Bruce Headlam and Justin Richmond

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