Bloomberg News Canada Real Estate Reporter Ari Altstedter discusses his Businessweek Magazine story Aftermath of an Assassination: Inside the India-Canada Crisis.
Hosts: Carol Massar and Tim Stenovec. Producer: Paul Brennan

Bloomberg News Canada Real Estate Reporter Ari Altstedter discusses his Businessweek Magazine story Aftermath of an Assassination: Inside the India-Canada Crisis. Hosts: Carol Massar and Tim Stenovec. Producer: Paul Brennan

Listen for reporting from the magazine that helps global leaders stay ahead. Hosts Carol Massar and Tim Stenovec cover the changing world of money, power and technology. You can watch and listen to Businessweek LIVE on YouTube, weekdays from 2PM to 5PM ET: http://bit.ly/3vTiACF. 

Listen for reporting from the magazine that helps global leaders stay ahead. Hosts Carol Massar and Tim Stenovec cover the changing world of money, power and technology.&nbsp;You can watch and listen to Businessweek LIVE on YouTube, weekdays from 2PM to 5PM ET:&nbsp;<a href="http://bit.ly/3vTiACF">http://bit.ly/3vTiACF</a>.&nbsp;

Carol Massar and Tim Stenovec bring together the latest news from the world of business and finance and the interesting stories of global technology, politics, economics and more by harnessing the power of Bloomberg Businessweek reporters and editors.

Bloomberg Businessweek

Inside the India-Canada Crisis

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/42488d0b-fc7e-43da-8913-b09700c7db6d/transcript

Featuring some of our favorite conversations of the week from our daily radio show "Bloomberg Businessweek Daily."
Hosted by Carol Massar and Tim Stenovec

Hear the show live at 2PM ET on WBBR 1130 AM New York, Bloomberg 92.9 FM Boston, WDCH 99.1 FM in Washington D.C. Metro, Sirius/XM channel 121, on the Bloomberg Business App, Radio.com, the iHeartRadio app and at Bloomberg.com/audio.

You can also watch Bloomberg Businessweek on YouTube - just search for Bloomberg Global News.
Like us at Bloomberg Radio on Facebook and follow us on Twitter @carolmassar @timsteno and @BW

Featuring some of our favorite conversations of the week from our daily radio show "Bloomberg Businessweek Daily." Hosted by Carol Massar and Tim Stenovec Hear the show live at 2PM ET on WBBR 1130 AM New York, Bloomberg 92.9 FM Boston, WDCH 99.1 FM in Washington D.C. Metro, Sirius/XM channel 121, on the Bloomberg Business App, Radio.com, the iHeartRadio app and at Bloomberg.com/audio. You can also watch Bloomberg Businessweek on YouTube - just search for Bloomberg Global News. Like us at Bloomberg Radio on Facebook and follow us on Twitter @carolmassar @timsteno and @BW

Bloomberg Businessweek Weekend - June 12th, 2026

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/e5ebdcc5-387d-404e-9f61-b46700eb12a8/transcript

The people, companies and trends shaping the global economy. Watch Carol and Tim LIVE every day on YouTube: http://bit.ly/3vTiACF.

SpaceX has made history with the biggest-ever IPO ever after opening at $150 per share, 11% above its offering price after the stock began trading on the Nasdaq on Friday. The listing values the rocket and AI-company that Elon Musk founded at roughly $2T, with his own fortune now standing at nearly $1.05T. Top guests across Bloomberg Businessweek Daily share their thoughts on the historic IPO.

On this episode, Carol Massar Tim Stenovec and guest host Ed Ludlow speak with:
Bailey Lipschultz, Bloomberg News IPO Reporter 
Max Chafkin, Host 'Everybody's Business' on Elon's world
Anthony Hughes, Bloomberg News US ECM Reporter and Nic Colas, DataTrek Research Co-Founder on StarLink combining with Tesla
Ross Gerber, Gerber Kawasaki Wealth & Investment Management, President and CEO 

The people, companies and trends shaping the global economy. Watch Carol and Tim LIVE every day on YouTube: <a href="http://bit.ly/3vTiACF">http://bit.ly/3vTiACF</a>. SpaceX has made history with the biggest-ever IPO ever after opening at $150 per share, 11% above its offering price after the stock began trading on the Nasdaq on Friday. The listing values the rocket and AI-company that Elon Musk founded at roughly $2T, with his own fortune now standing at nearly $1.05T. Top guests across Bloomberg Businessweek Daily share their thoughts on the historic IPO. On this episode, Carol Massar Tim Stenovec and guest host Ed Ludlow speak with:
<ul>
<li>Bailey Lipschultz, Bloomberg News IPO Reporter&nbsp;</li>
<li>Max Chafkin, Host 'Everybody's Business' on Elon's world</li>
<li>Anthony Hughes, Bloomberg News US ECM Reporter and Nic Colas, DataTrek Research Co-Founder on StarLink combining with Tesla</li>
<li>Ross Gerber, Gerber Kawasaki Wealth &amp; Investment Management, President and CEO&nbsp;</li>
</ul>

 SpaceX Makes History With Biggest Wall Street Debut Ever

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/4fa0bb40-de11-4f9a-9941-b467014cc662/transcript

The people, companies and trends shaping the global economy. Watch Carol and Tim LIVE every day on YouTube: http://bit.ly/3vTiACF.

Eighty-five percent of recorded music revenue in the U.S. now flows through streaming, and 100,000 AI-generated tracks are being uploaded to those platforms every single day. Because royalties come from a shared pool divided by total streams, every AI track added dilutes what human artists get paid. Napster was about unauthorized distribution — taking music without paying for it. AI goes further: it uses recorded performances to generate competing content that can displace the originals entirely. AI isn't the only threat to the royalty pool — AM/FM radio has operated the same way for decades, playing music without paying performers a cent. The American Music Fairness Act would close that loophole; session musicians, backup singers, and studio players deserve to be paid, the same way every streaming and satellite service already does. And the U.S. is one of the only countries in the world that doesn't require broadcasters to pay performers, so American artists forfeit overseas royalties that end up flowing to foreign artists instead. AMFA would fix that and keep American earnings in American pockets.

For more on AI generated music, Carol and Tim Stenovec spoke with Michael Huppe, President and CEO of SoundExchange, the organization designated by the U.S. government to administer digital performance royalties.

The people, companies and trends shaping the global economy. Watch Carol and Tim LIVE every day on YouTube: <a href="http://bit.ly/3vTiACF">http://bit.ly/3vTiACF</a>. Eighty-five percent of recorded music revenue in the U.S. now flows through streaming, and 100,000 AI-generated tracks are being uploaded to those platforms every single day. Because royalties come from a shared pool divided by total streams, every AI track added dilutes what human artists get paid. Napster was about unauthorized distribution &mdash; taking music without paying for it. AI goes further: it uses recorded performances to generate competing content that can displace the originals entirely. AI isn't the only threat to the royalty pool &mdash; AM/FM radio has operated the same way for decades, playing music without paying performers a cent. The American Music Fairness Act would close that loophole; session musicians, backup singers, and studio players deserve to be paid, the same way every streaming and satellite service already does. And the U.S. is one of the only countries in the world that doesn't require broadcasters to pay performers, so American artists forfeit overseas royalties that end up flowing to foreign artists instead. AMFA would fix that and keep American earnings in American pockets. For more on AI generated music, Carol and Tim Stenovec spoke with Michael Huppe, President and CEO of SoundExchange, the organization designated by the U.S. government to administer digital performance royalties.

How AI-generated Tracks are Exploiting Streaming Platforms’ Royalty Systems

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/348e629f-e0ff-41ef-ba63-b466015a4204/transcript

Inside the India-Canada Crisis

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