Sometimes you can find redemption, but you have to find it for yourself. No one is going to give it to you. You can’t find it in a movie or a song. You can only find it inside yourself. In the 21st century, decades after his pursuit of an unfinished teenage symphony to God that drove him to the edge of sanity, Brian Wilson found his redemption. But he also found something else, too: the realization of a dream that he thought had died long ago.

Sometimes you can find redemption, but you have to find it for yourself. No one is going to give it to you. You can’t find it in a movie or a song. You can only find it inside yourself. In the 21st century, decades after his pursuit of an unfinished teenage symphony to God that drove him to the edge of sanity, Brian Wilson found his redemption. But he also found something else, too: the realization of a dream that he thought had died long ago.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

BLOOD ON THE TRACKS Season 4: The Brian Wilson Story

Blood on the Tracks Season 4: The Brian Wilson Story

Brian Wilson Is Smiling Again (The Brian Wilson Story, Chapter 10)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/345b3652-7610-408f-aed7-af2200d36b47/transcript

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