When a man wears a mask, he’s gonna tell you the truth. That’s what Bob Dylan is thinking about as he continues his recovery from his motorcycle accident: being masked and not-so-anonymous on a rambling spectacle of a tour that feels more like the Greatest Show on Earth than a rock concert. Dylan’s fever dream-like state allows him to peek into the future…a future full of gypsies, boxers, sad-eyed ladies, and a homicide that would result in one of the toughest legal battles of his life.

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When a man wears a mask, he’s gonna tell you the truth. That’s what Bob Dylan is thinking about as he continues his recovery from his motorcycle accident: being masked and not-so-anonymous on a rambling spectacle of a tour that feels more like the Greatest Show on Earth than a rock concert. Dylan’s fever dream-like state allows him to peek into the future…a future full of gypsies, boxers, sad-eyed ladies, and a homicide that would result in one of the toughest legal battles of his life. Learn more about your ad-choices at <a href="https://www.iheartpodcastnetwork.com">https://www.iheartpodcastnetwork.com</a>

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

In 1966, Brian Wilson planned to follow up the Beach Boys' groundbreaking album Pet Sounds with an even bigger musical statement. He was writing a teenage symphony to God. That album, Smile, was never finished. Instead, Brian slowly unraveled, as the pressure to make something profound weighed heavy on him. He worried that he wasn’t good enough. He worried that he was a failure in the eyes of the record company, his band, his peers, and his own father. He thought his house was bugged. He thought the music he was making conjured some strange voodoo that had a disastrous impact on the real world. He became paranoid. He self-medicated with amphetamines, hash, and LSD. He held meetings in his swimming pool. He imagined people who weren’t there. And eventually, in 1967, he went off the proverbial deep end. Did the real Brian Wilson ever resurface? Part true crime, part historical fiction, part spoken word lo-fi beat noir brought to you by Jake Brennan, and featuring the fictionalized voice Brian Wilson, BLOOD ON THE TRACKS sounds like nothing you’ve heard before. Because you can’t push the needle into the red without leaving a little blood on the tracks.

BLOOD ON THE TRACKS Season 4: The Brian Wilson Story

Blood on the Tracks Season 4: The Brian Wilson Story

Bob Dylan Is Rolling Thunder (A Bob Dylan Story, Chapter 4)

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/5ae63b72-bb07-494b-86ad-ae5a0083fb17/transcript