8:00 pm - Baroque and Before

9:00 pm - Baroque and Before

BAROQUE AND BEFORE
Bohemian baroque
Prepared by Robert Gilchrist
With Paul Roper



Benda, F. Flute concerto in E minor.    Jean-Pierre Rampal, fl; Prague CO/Milan Munclinger. 
Supraphon SU 3648-2 [22:44]

Biber, H. Sonata IV for violin and continuo (pub. 1681).    Romanesca. 
Harmonia Mundi HMU 907134.35 [12:22]

Jiránek, F. Bassoon concerto in G.    Sergio Azzolini, bn; members of Collegium Marianum/Jana Semerádová. 
Supraphon SU 4208-2 [10:40]

Zelenka, J. Concerto in G à 8 concertanti for oboe, strings, bassoon and continuo.    Das Neu-Eröffnete O/Jürgen Sonnentheil. 
cpo 999 458-2 [18:03]

Stamitz, J. Orchestral trio in A, op 1 no 2 (1754-55).    New Zealand CO/Donald Armstrong. 
Naxos 8.553213 [16:11]

Zelenka, J. Litaniae Xaverianae (1727).    Schola Cantorum of Melbourne; John O’Donnell, org; Schola Cantorum Baroque Players/Gary Ekkel. 
Move MCD 156 [30:41]

BAROQUE AND BEFORE Bohemian baroque Prepared by Robert Gilchrist With Paul Roper
 Benda, F. Flute concerto in E minor. &nbsp;&nbsp; Jean-Pierre Rampal, fl; Prague CO/Milan Munclinger. Supraphon SU 3648-2 [22:44] Biber, H. Sonata IV for violin and continuo (pub. 1681). &nbsp;&nbsp; Romanesca. Harmonia Mundi HMU 907134.35 [12:22] Jir&aacute;nek, F. Bassoon concerto in G. &nbsp;&nbsp; Sergio Azzolini, bn; members of Collegium Marianum/Jana Semer&aacute;dov&aacute;. Supraphon SU 4208-2 [10:40] Zelenka, J. Concerto in G &agrave; 8 concertanti for oboe, strings, bassoon and continuo. &nbsp;&nbsp; Das Neu-Er&ouml;ffnete O/J&uuml;rgen Sonnentheil. cpo 999 458-2 [18:03] Stamitz, J. Orchestral trio in A, op 1 no 2 (1754-55). &nbsp;&nbsp; New Zealand CO/Donald Armstrong. Naxos 8.553213 [16:11] Zelenka, J. Litaniae Xaverianae (1727). &nbsp;&nbsp; Schola Cantorum of Melbourne; John O&rsquo;Donnell, org; Schola Cantorum Baroque Players/Gary Ekkel. Move MCD 156 [30:41]

A late night exploration of the music of the medieval, renaissance and baroque

A late night exploration of the music of the medieval, renaissance and baroque