Evelyn Oatley dreams of becoming a stage star in London's glamorous theaterland. It's a world away from her grim provincial upbringing. The daughter of a German immigrant, her troubled home life was compounded by a wave of anti-German rioting that broke out during World War One.    

Tiring of both her job at a textile mill and her relationship with a local farmer, Evelyn ran off to London and transformed herself into budding starlet "Lita Ward". But she found neither fame nor fortune there... only danger.  

Sources:

Andrews, Maggie and Lomas, Janis. The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (Basingstoke: Palgrave Macmillan, 2014).

Arthur, Sue. ‘Blackpool Goes All-Talkie: Cinema and Society at the Seaside in Thirties Britain’, Historical Journal of Film, Radio and Television, Vol. 29, No. 1, March 2019.

Denness, Zoe. ‘“A Question which Affects our Prestige as a Nation”: The History of British Civilian Internment’, PhD Thesis, University of Birmingham, October 2012.

Denness, Zoe. “Gender and Germanophobia: The Forgotten Experiences of German Women in Britain, 1914–1919’ in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014).

Eyles, Allan. ‘Cinemas and Cinemagoing: The Rise of Cinemas’, BFI Screenonline, 2014.

Higginbotham, Peter. ‘Boarding Out (Fostering)’, Children’s Homes.

Hill, Hector. ‘Russell Street Picturehouse’, Cinema Treasures.

Lassandro, Sebastian. Pride of Our Alley: The Life of Dame Gracie Fields Volume 1: 1898 - 1939 (Albany: BearManor Media, 2019).

Mazierska, Ema (Ed.). Blackpool in Film and Popular Music (Cham: Palgrave Macmillan, 2020).

Mort, Frank. ‘Striptease: The Erotic Female Body and Live Sexual Entertainment in Mid-Twentiety-Century London’, Social History, Vol. 32, No. 1, February 2007.

Panayi, Panikos. ‘Germans as Minorities during the First World War: Global Comparative Perspectives’, in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014).

Panayi, Panikos. Immigration, Ethnicity, and Racism in Britain, 1815 - 1945 (Manchester: Manchester University Press, 1994).

Stone, Peter. ‘The German Community in London during the 19th Century’, History London.

Waddington, Keir. ‘“We Don’t Want Any German Sausages Here!”: Food, Fear and the German Nation in Victorian and Edwardian Britain’, Journal of British Studies, Vol. 52, No. 4, October 2013.

Walkowitz, Judith R. Nights Out: Life in Cosmopolitan London (New Haven: Yale University Press, 2012).

Walton, John K. ‘The Seaside Resort: A British Cultural Export’, History in Focus, Issue 9, Autumn 2005.

Evelyn Oatley dreams of becoming a stage star in London's glamorous theaterland. It's a world away from her grim provincial upbringing. The daughter of a German immigrant, her troubled home life was compounded by a wave of anti-German rioting that broke out during World War One.    
Tiring of both her job at a textile mill and her relationship with a local farmer, Evelyn ran off to London and transformed herself into budding starlet "Lita Ward". But she found neither fame nor fortune there... only danger.  
Sources:
Andrews, Maggie and Lomas, Janis. The Home Front in Britain: Images, Myths and Forgotten Experiences since 1914 (Basingstoke: Palgrave Macmillan, 2014).
Arthur, Sue. ‘Blackpool Goes All-Talkie: Cinema and Society at the Seaside in Thirties Britain’, Historical Journal of Film, Radio and Television, Vol. 29, No. 1, March 2019.
Denness, Zoe. ‘“A Question which Affects our Prestige as a Nation”: The History of British Civilian Internment’, PhD Thesis, University of Birmingham, October 2012.
Denness, Zoe. “Gender and Germanophobia: The Forgotten Experiences of German Women in Britain, 1914–1919’ in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014).
Eyles, Allan. ‘Cinemas and Cinemagoing: The Rise of Cinemas’, BFI Screenonline, 2014.
Higginbotham, Peter. ‘Boarding Out (Fostering)’, Children’s Homes.
Hill, Hector. ‘Russell Street Picturehouse’, Cinema Treasures.
Lassandro, Sebastian. Pride of Our Alley: The Life of Dame Gracie Fields Volume 1: 1898 - 1939 (Albany: BearManor Media, 2019).
Mazierska, Ema (Ed.). Blackpool in Film and Popular Music (Cham: Palgrave Macmillan, 2020).
Mort, Frank. ‘Striptease: The Erotic Female Body and Live Sexual Entertainment in Mid-Twentiety-Century London’, Social History, Vol. 32, No. 1, February 2007.
Panayi, Panikos. ‘Germans as Minorities during the First World War: Global Comparative Perspectives’, in: Panayi, Panikos (Ed.). Germans as Minorities during the First World War: A Global Comparative Perspective (Farnham, Ashgate Publishing Company, 2014).
Panayi, Panikos. Immigration, Ethnicity, and Racism in Britain, 1815 - 1945 (Manchester: Manchester University Press, 1994).
Stone, Peter. ‘The German Community in London during the 19th Century’, History London.
Waddington, Keir. ‘“We Don’t Want Any German Sausages Here!”: Food, Fear and the German Nation in Victorian and Edwardian Britain’, Journal of British Studies, Vol. 52, No. 4, October 2013.
Walkowitz, Judith R. Nights Out: Life in Cosmopolitan London (New Haven: Yale University Press, 2012).
Walton, John K. ‘The Seaside Resort: A British Cultural Export’, History in Focus, Issue 9, Autumn 2005.

The streets of wartime London are pitch black and the darkness offers cover to a murderer every bit as terrible as Jack the Ripper. During one awful week in February 1942 he viciously attacks women night after night. But the victims of the so-called Blackout Ripper are now all but forgotten.  

In this season of Bad Women, historian Hallie Rubenhold and criminologist Alice Fiennes share new details from the archives to tell the extraordinary and moving stories of the women who died and why their deaths were swept from view.    

And don't miss season one of Bad Women about a cold case like no other. In the fall of 1888, five women were brutally murdered in the slums of London. But everything you think you know about Jack the Ripper and those murdered women is wrong. Hallie reconstructs the lives of the five victims - revealing the appalling treatment they faced as women in the 1880s, and completely overturning the accepted Ripper story.

The streets of wartime London are pitch black and the darkness offers cover to a murderer every bit as terrible as Jack the Ripper. During one awful week in February 1942 he viciously attacks women night after night. But the victims of the so-called Blackout Ripper are now all but forgotten.  
In this season of Bad Women, historian Hallie Rubenhold and criminologist Alice Fiennes share new details from the archives to tell the extraordinary and moving stories of the women who died and why their deaths were swept from view.    
And don't miss season one of Bad Women about a cold case like no other. In the fall of 1888, five women were brutally murdered in the slums of London. But everything you think you know about Jack the Ripper and those murdered women is wrong. Hallie reconstructs the lives of the five victims - revealing the appalling treatment they faced as women in the 1880s, and completely overturning the accepted Ripper story.

Bad Women: The Blackout Ripper

S2 E3: The Butchers of Germany

https://api.omny.fm/orgs/e73c998e-6e60-432f-8610-ae210140c5b1/clips/be4ffc5c-02cc-4159-8279-af28011c145b/transcript

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