Singer-songwriter Stephen Sanchez is reaping the benefits of his timeless hit record “Until I Found You.”

After landing a deal with Republic Records in 2020, Sanchez released the popular song last year, and it's already a fan favorite across the internet, approaching RIAA Gold status! Most recently, the track was acknowledged by Charlie Puthand FINNEAS. Sanchez joined Bru for an Audacy’s Check In to elaborate on “Until I Found You” and his real-time rise to fame.

“I think over the last few months from January up until now, the song just shot off,” Sanchez tells Audacy. “And that’s a pretty unreal feeling. It’s so crazy. I’ve never really thought that the song, which was written in my bedroom, for a girl I loved at the time–I never thought it would ever be associated outside of that as like a hit.” He adds, “And now it is and it’s almost at a gold record. That’s just so wild. I didn’t think it would go that far.”

The 19-year-old musician began writing heartfelt tracks earlier in his teenage years. Eventually, he developed a reputation in high school as “the kid who played guitar and wrote songs.” “It’s like joy and sadness and anxiety all operating at the same level, battling it out," Sanchez said regarding the song's success. "It’s a wild thing to have a song do so well that’s about a real person from some time ago, and [the song] brings a lot of anxiety about what’s next."

Sanchez’ music is reminiscent of the Oldies. He was inspired by the classic sounds of Frank Sinatra, Nat King Cole, The Platters, and The Ink Spots – courtesy of his grandparent’s vinyl record collection. With autobiographical love songs like “Until I Found You,” along with “Kayla,” Sanchez transports listeners to the 50s and 60s.

After playing shows in New York and Los Angeles, Sanchez will be touring in Europe next month. The singer-songwriter will be stopping in Berlin, London, and Amsterdam.He also has an upcoming show in his hometown, Nashville later this summer.

Listen to Bru’s Audacy Check In with Stephen Sanchez above.

Words by Allison Hazel Interview by Bru

Singer-songwriter Stephen Sanchez is reaping the benefits of his timeless hit record “Until I Found You.”
After landing a deal with Republic Records in 2020, Sanchez released the popular song last year, and it's already a fan favorite across the internet, approaching RIAA Gold status! Most recently, the track was acknowledged by Charlie Puth and FINNEAS. Sanchez joined Bru for an Audacy’s Check In to elaborate on “Until I Found You” and his real-time rise to fame.
“I think over the last few months from January up until now, the song just shot off,” Sanchez tells Audacy. “And that’s a pretty unreal feeling. It’s so crazy. I’ve never really thought that the song, which was written in my bedroom, for a girl I loved at the time–I never thought it would ever be associated outside of that as like a hit.” He adds, “And now it is and it’s almost at a gold record. That’s just so wild. I didn’t think it would go that far.”
The 19-year-old musician began writing heartfelt tracks earlier in his teenage years. Eventually, he developed a reputation in high school as “the kid who played guitar and wrote songs.” “It’s like joy and sadness and anxiety all operating at the same level, battling it out," Sanchez said regarding the song's success. "It’s a wild thing to have a song do so well that’s about a real person from some time ago, and [the song] brings a lot of anxiety about what’s next."
Sanchez’ music is reminiscent of the Oldies. He was inspired by the classic sounds of Frank Sinatra, Nat King Cole, The Platters, and The Ink Spots – courtesy of his grandparent’s vinyl record collection. With autobiographical love songs like “Until I Found You,” along with “Kayla,” Sanchez transports listeners to the 50s and 60s.
After playing shows in New York and Los Angeles, Sanchez will be touring in Europe next month. The singer-songwriter will be stopping in Berlin, London, and Amsterdam. He also has an upcoming show in his hometown, Nashville later this summer. 
Listen to Bru’s Audacy Check In with Stephen Sanchez above.
Words by Allison Hazel Interview by Bru

Listen as our favorite artists Check In for candid conversations about music and more.

Listen as our favorite artists Check In for candid conversations about music and more.

Audacy Check-In

Stephen Sanchez | Audacy Check In | 6.22.22

Chris Janson is celebrating the premiere of his music video for his current single, “Whatcha See Is Whatcha Get,” with some help from his new friend — and global superstar — Dwayne “The Rock” Johnson, and they both visited with Audacy to share all the details.

The video shows the pals in their element cuttin’ up donuts in a pickup, raisin’ a cold one, and enjoying the great outdoors all while in their Bass Pro gear. “I did this and I asked him [to be in the video] because we’re friends and I thought it made sense, and I figured he’d like it because he’s a ‘Whatcha See Is Whatcha Get’ guy and we have a ‘Whatcha See Is Whatcha Get’ friendship,’” Janson told Audacy’s HeatherFroglear. “The video is really fun, it’s unscripted. You’ll see we’re having a ball in it.”

The unscripted footage is a glimpse into the pair’s real-life friendship which all started in a parking lot where they bonded over a love for the outdoors, Country music, and humility.

“We met in a parking lot,” Johnson shared before detailing that Janson asked for a photo. “We were waiting for our cars to come around at valet and I get a tap on my shoulder, I turn around and he said, ‘Hey DJ, my name is Chris, I’d like to introduce you to my son, can my son take a picture with you?’”

Photo requests are nothing new to The Rock, who has one of social media’s biggest followings at 379 million, but little did he know, that the photo request would turn into a new, meant-to-be friendship.

“I had no idea who Chris was, Chris didn’t tell me,” Johnson explained. “We were talking for 10 minutes, then 15 minutes, and finally, his wife, Kelly, when I met her… she goes, ‘I have to tell you, Chris is never going to tell you, but I know you love Country music, he sings Country music.”

Crediting Janson for his humble ways Johnson explained, “It’s a reflection of Chris and his humility, and his grace and who he is as a human being… usually when I meet people who are celebrities in their own right, — from whatever industry — I’m going to know in about a minute. They’re going to find a way to tell me.”

That evening in the valet lot turned into a lifelong friendship that is now captured in an upbeat, fun, Country music video that the pair hope will inspire everyone to be who they are and continue chasing their dreams.

“At the end of the day, we just good ol’ boys, man,” Janson concluded. “I know that we hope to inspire people. When you watch the video, yes, it’s fun and yes, it’s awesome — holy crap, I can’t believe it’s happening — but we hope to inspire people… everybody in America. Young, old, or whatever walk of life you come from — The American dream is alive and well.”

He continued, “If you don’t dream big, you can’t win big…. People say ‘I can’t believe you got The Rock to join you.’ Well, quite frankly, if you don’t ask, you can’t receive and what’s the worst that could happen in life? Somebody could tell you no and you just kick down another door and go on through it.”

Check out more from Heather’s conversation with Chris Janson and The Rock above.

Words by Monica Rivera Interview by Heather Froglear

Chris Janson is celebrating the premiere of his music video for his current single, “Whatcha See Is Whatcha Get,” with some help from his new friend — and global superstar — Dwayne “The Rock” Johnson, and they both visited with Audacy to share all the details.
The video shows the pals in their element cuttin’ up donuts in a pickup, raisin’ a cold one, and enjoying the great outdoors all while in their Bass Pro gear. “I did this and I asked him [to be in the video] because we’re friends and I thought it made sense, and I figured he’d like it because he’s a ‘Whatcha See Is Whatcha Get’ guy and we have a ‘Whatcha See Is Whatcha Get’ friendship,’” Janson told Audacy’s Heather Froglear. “The video is really fun, it’s unscripted. You’ll see we’re having a ball in it.”
The unscripted footage is a glimpse into the pair’s real-life friendship which all started in a parking lot where they bonded over a love for the outdoors, Country music, and humility.
“We met in a parking lot,” Johnson shared before detailing that Janson asked for a photo. “We were waiting for our cars to come around at valet and I get a tap on my shoulder, I turn around and he said, ‘Hey DJ, my name is Chris, I’d like to introduce you to my son, can my son take a picture with you?’”
Photo requests are nothing new to The Rock, who has one of social media’s biggest followings at 379 million, but little did he know, that the photo request would turn into a new, meant-to-be friendship.
“I had no idea who Chris was, Chris didn’t tell me,” Johnson explained. “We were talking for 10 minutes, then 15 minutes, and finally, his wife, Kelly, when I met her… she goes, ‘I have to tell you, Chris is never going to tell you, but I know you love Country music, he sings Country music.”
Crediting Janson for his humble ways Johnson explained, “It’s a reflection of Chris and his humility, and his grace and who he is as a human being… usually when I meet people who are celebrities in their own right, — from whatever industry — I’m going to know in about a minute. They’re going to find a way to tell me.”
That evening in the valet lot turned into a lifelong friendship that is now captured in an upbeat, fun, Country music video that the pair hope will inspire everyone to be who they are and continue chasing their dreams.
“At the end of the day, we just good ol’ boys, man,” Janson concluded. “I know that we hope to inspire people. When you watch the video, yes, it’s fun and yes, it’s awesome — holy crap, I can’t believe it’s happening — but we hope to inspire people… everybody in America. Young, old, or whatever walk of life you come from — The American dream is alive and well.”
He continued, “If you don’t dream big, you can’t win big…. People say ‘I can’t believe you got The Rock to join you.’ Well, quite frankly, if you don’t ask, you can’t receive and what’s the worst that could happen in life? Somebody could tell you no and you just kick down another door and go on through it.”
Check out more from Heather’s conversation with Chris Janson and The Rock above.
Words by Monica Rivera Interview by Heather Froglear

Chris Janson and Dwayne “The Rock” Johnson | Audacy Check In | 4.19.24

Pearl Jam's Eddie Vedder joins us this week for a special Audacy Check In with KROQ's Nicole Alvarez discussing the band's brand new 12th studio album, Dark Matter, their upcoming world tour, and much more.

For fans who know Pearl Jam’s music inside and out, it can be easy to track the evolution of the band as musicians and human beings by listening to their new album, Dark Matter. After hearing the finished product, frontman Eddie Vedder admits with a laugh that he was still surprised by “just how good it sounded.” Vedder goes on to expound on the masterful abilities of their producer this time around, complimenting “how good this guy Andrew Watt made our band sound and the performances he was getting out of us.”

“It was moving very quickly,” Eddie explains. “It was recorded and written really quickly, and with the end of almost every night being just about a completed piece of music or, if not, very, very close. It just kept the momentum going, which, you know, we just hadn't recorded like that in a while.”

The biggest surprise, he adds, was “the power that was coming out of the speakers… it held up that loud volume. And then the lyrics, I think that you're writing lyrics just to -- not keep up with the music -- but to be part of the fabric, to mesh. or if there's a song with a tempo.” Speaking specifically about the album track “Running,” Vedder explains how the lyrics for the song “are part and parcel with the tempo and performances of that song. It's a frenetic lyric to go with a frenetic song.”

“Those are the things that, I guess, you're just surprised that you finish it,” he laughs.

Vedder credits Watt’s passion for music in general for bringing out the best of his band, and making them feel excitement in new, almost embarrassing ways. “It's pretty over the top,” Eddie says. “But I'm telling you, it's so pure. He wouldn't mind me saying this; it comes from such a pure place that it’s just truly undeniable. And I'm sure The Stones felt the same way working with him. He's just really focused. He also has this strange kind of ADD ability to recall. You know, it would be a detriment to maybe some people that maybe had a little bit more of a normal occupation.”

“He can remember a take that [guitarist] Mike McCreedy soloed 10 days ago, and he can remember that it was take number three,” Eddie continues. “He found the perfect occupation to put this kind of savant-like connection to music… he's using his powers for good. It’s pretty stunning and it bodes well for keeping things moving. Momentum is huge, and it also turns into positivity and confidence and flexibility… and then it's the ability to create an atmosphere where you feel like you can experiment, or try something, or, work harder to make it better. You’re not like, ‘OK, I think that's good enough.’”

“There was no ‘good enough,’” Vedder says. “It had to rise to the level… the guitar had to match the level of performance of Matt Cameron on the drums. The vocals had to match the high intensity of the guitar. It was just kind of, everybody keeps stepping up to reach kind of a peak or pinnacle of what is possible. You're always trying to do your best, but it turns out you could do even better.”

Eddie had a chance to work with Watt on his 2022 solo album Earthling, and remembers another trick that Andrew had up his sleeve for those sessions, which seem to have seeped into the new Pearl Jam offering as well. “What you could say about the mix is, everything's louder than everything else. Meaning, if you want to focus on what the bass is doing, it's more just attenuating your ear to the bass and all of a sudden that's the loudest thing. And then you say, ‘Well, what's the kick drum doing?’ Then that becomes the loudest thing, just by directing your brain, moving your ear like as if you were a horse catching up. Just tuning your radar, whatever you want to tune it into could be a background vocal or a guitar melody that you think is kind of in the back. But when you focus in on it, it's right there.”

“Every instrument kind of has its own lane,” Vedder adds. “I don't know where he maybe picked up on that, even through some of the more Pop music that he did, but it certainly can apply here.”

Fans can expect all killer and no filler on Dark Matter as well, Eddie says. “The only trick,” he says that needed to be applied to choosing the album tracks and sequencing of songs “was kind of telling the story, if there is one. Really, it was just quality piece of music after quality piece of music.”

“If I could say it without sounding too self-aggrandizing, but, a lot of records, there's a couple of songs that maybe you put in the more difficult listening category or something… There was no lack of good material,” he adds. “That doesn't always happen.” Forced to pick a favorite, "I think the whole record feels personal," he says. "There's a song called 'Something Special' on there, which is really kind of a parenting, mom and dad seeing their kids grow up and leaving the nest -- either going to college or going to high school -- and hoping you did a good enough job to know that they're gonna be okay out in the world. That's where they're gonna learn their lessons, and no matter [the] love and support that you raise them with -- and discipline -- there's gonna be a bunch of lessons out there. The world's gonna hand them difficulties, hopefully not on a daily basis, but you hope that you've given them the tools to navigate through the good times and the pitfalls. So, I could say that one's a little bit more unabashedly personal."

As the band’s Dark Matter world tour continues to take shape before kicking off this May, some of the nerves behind introducing these new tracks to fans have begun to subside and morph into genuine excitement. “If you would ask me four days ago, I would have been maybe a little more nervous, but we've just had our first couple of days of practice and I think everybody worked hard on the songs coming into practice, as opposed to learning them once we get here.”

“It felt a little daunting,” he admits, “as we said, the sound of the record is galvanized and has a lot of strength to it. So, can we do that live? That question has been answered in the last couple of days.”

“There’s a different kind of focus that happens,” he says when taking the stage, “and it's kind of being ready to find that or to be conscious of what might happen tonight… It could be a reaction from the crowd, it could be locking eyes with somebody and you can tell they're going through something… I have a pretty good vantage point and I can kind of find those things and that inspires me.”

“Another great pleasure of being in this band is standing right in front of Matt Cameron, who's just, you know, there's a lot of great, great drummers out there these days. It's a particularly healthy time to be listening if you appreciate drummers and what drummers can do behind the kit. But he's just so extraordinary. There's horsepower there… Literally, it feels like you're riding a racehorse and it's wild, and it's always different. The way he locks in with Jeff and then the way Jeff [Ament] and Stone [Gossard] lock in… and then it allows Mike a canvas to do his. It could be very technical and perfect and it could be Jackson Pollock as well.”

Given the chance, Eddie agrees with Nicole about grabbing the new PJ album and retreating to the best place to listen to new music: In a car, with the windows closed “whether you're moving or just still,” he says. “I mean, I do it in the driveway. I think my neighbors heard this record before me. But also, being out on the road with the windows open, that's pretty good too.”

“Some of my best listening experiences have been with Walkman's on a hike at the top of a mountain,” Vedder adds. “There's something about the outdoors, or on the shoreline. It's like nature has a hand in it… and I think probably because lyrically nature is in there. Nature and the ocean, and waves… whether it's a calm sunset or a storm… I think nature informs a lot of the lyrics as well.”

Giving us a preview of what's to come, KROQ's Nicole Alvarez had Eddie Vedder talking about Pearl Jam's fast-approaching Dark Matter world tour, namely their shows in Los Angeles on the 21st and 22nd of May at the Forum. “But the other one,” he revealed, would be the Ohana Festival in Dana Point, CA happening this September. “This year it's September 27th-29th and as of today, I can tell you the headliners on the 27th and 29th are gonna be our group.”

“So, Pearl Jam on the seashore… that's something to look forward to for us, certainly," Vedder adds. "And then in the middle on the 28th, we have Neil Young and Crazy Horse. The whole rosters are very impressive and inspiring and exciting… it should be good!”

After making their return earlier this year with their new album's title track, the Seattle Alt-rock faves officially revealed 2024's Dark Matter was set to arrive on April 19, produced by multi-GRAMMY award-winning producer Andrew Watt, marking the band’s first release since 2020’s critically-acclaimed Gigaton. 

Don’t miss our full Audacy Check In with Pearl Jam's Eddie Vedder above -- and stay tuned for more conversations with your favorite artists on Audacy.com/live.

Words by Joe Cingrana Interview by Nicole Alvarez

Pearl Jam's Eddie Vedder joins us this week for a special Audacy Check In with KROQ's Nicole Alvarez discussing the band's brand new 12th studio album, Dark Matter, their upcoming world tour, and much more.
For fans who know Pearl Jam’s music inside and out, it can be easy to track the evolution of the band as musicians and human beings by listening to their new album, Dark Matter. After hearing the finished product, frontman Eddie Vedder admits with a laugh that he was still surprised by “just how good it sounded.” Vedder goes on to expound on the masterful abilities of their producer this time around, complimenting “how good this guy Andrew Watt made our band sound and the performances he was getting out of us.”
“It was moving very quickly,” Eddie explains. “It was recorded and written really quickly, and with the end of almost every night being just about a completed piece of music or, if not, very, very close. It just kept the momentum going, which, you know, we just hadn't recorded like that in a while.”
The biggest surprise, he adds, was “the power that was coming out of the speakers… it held up that loud volume. And then the lyrics, I think that you're writing lyrics just to -- not keep up with the music -- but to be part of the fabric, to mesh. or if there's a song with a tempo.” Speaking specifically about the album track “Running,” Vedder explains how the lyrics for the song “are part and parcel with the tempo and performances of that song. It's a frenetic lyric to go with a frenetic song.”
“Those are the things that, I guess, you're just surprised that you finish it,” he laughs.
Vedder credits Watt’s passion for music in general for bringing out the best of his band, and making them feel excitement in new, almost embarrassing ways. “It's pretty over the top,” Eddie says. “But I'm telling you, it's so pure. He wouldn't mind me saying this; it comes from such a pure place that it’s just truly undeniable. And I'm sure The Stones felt the same way working with him. He's just really focused. He also has this strange kind of ADD ability to recall. You know, it would be a detriment to maybe some people that maybe had a little bit more of a normal occupation.”
“He can remember a take that [guitarist] Mike McCreedy soloed 10 days ago, and he can remember that it was take number three,” Eddie continues. “He found the perfect occupation to put this kind of savant-like connection to music… he's using his powers for good. It’s pretty stunning and it bodes well for keeping things moving. Momentum is huge, and it also turns into positivity and confidence and flexibility… and then it's the ability to create an atmosphere where you feel like you can experiment, or try something, or, work harder to make it better. You’re not like, ‘OK, I think that's good enough.’”
“There was no ‘good enough,’” Vedder says. “It had to rise to the level… the guitar had to match the level of performance of Matt Cameron on the drums. The vocals had to match the high intensity of the guitar. It was just kind of, everybody keeps stepping up to reach kind of a peak or pinnacle of what is possible. You're always trying to do your best, but it turns out you could do even better.”
Eddie had a chance to work with Watt on his 2022 solo album Earthling, and remembers another trick that Andrew had up his sleeve for those sessions, which seem to have seeped into the new Pearl Jam offering as well. “What you could say about the mix is, everything's louder than everything else. Meaning, if you want to focus on what the bass is doing, it's more just attenuating your ear to the bass and all of a sudden that's the loudest thing. And then you say, ‘Well, what's the kick drum doing?’ Then that becomes the loudest thing, just by directing your brain, moving your ear like as if you were a horse catching up. Just tuning your radar, whatever you want to tune it into could be a background vocal or a guitar melody that you think is kind of in the back. But when you focus in on it, it's right there.”
“Every instrument kind of has its own lane,” Vedder adds. “I don't know where he maybe picked up on that, even through some of the more Pop music that he did, but it certainly can apply here.”
Fans can expect all killer and no filler on Dark Matter as well, Eddie says. “The only trick,” he says that needed to be applied to choosing the album tracks and sequencing of songs “was kind of telling the story, if there is one. Really, it was just quality piece of music after quality piece of music.”
“If I could say it without sounding too self-aggrandizing, but, a lot of records, there's a couple of songs that maybe you put in the more difficult listening category or something… There was no lack of good material,” he adds. “That doesn't always happen.” Forced to pick a favorite, "I think the whole record feels personal," he says. "There's a song called 'Something Special' on there, which is really kind of a parenting, mom and dad seeing their kids grow up and leaving the nest -- either going to college or going to high school -- and hoping you did a good enough job to know that they're gonna be okay out in the world. That's where they're gonna learn their lessons, and no matter [the] love and support that you raise them with -- and discipline -- there's gonna be a bunch of lessons out there. The world's gonna hand them difficulties, hopefully not on a daily basis, but you hope that you've given them the tools to navigate through the good times and the pitfalls. So, I could say that one's a little bit more unabashedly personal."
As the band’s Dark Matter world tour continues to take shape before kicking off this May, some of the nerves behind introducing these new tracks to fans have begun to subside and morph into genuine excitement. “If you would ask me four days ago, I would have been maybe a little more nervous, but we've just had our first couple of days of practice and I think everybody worked hard on the songs coming into practice, as opposed to learning them once we get here.”
“It felt a little daunting,” he admits, “as we said, the sound of the record is galvanized and has a lot of strength to it. So, can we do that live? That question has been answered in the last couple of days.”
“There’s a different kind of focus that happens,” he says when taking the stage, “and it's kind of being ready to find that or to be conscious of what might happen tonight… It could be a reaction from the crowd, it could be locking eyes with somebody and you can tell they're going through something… I have a pretty good vantage point and I can kind of find those things and that inspires me.”
“Another great pleasure of being in this band is standing right in front of Matt Cameron, who's just, you know, there's a lot of great, great drummers out there these days. It's a particularly healthy time to be listening if you appreciate drummers and what drummers can do behind the kit. But he's just so extraordinary. There's horsepower there… Literally, it feels like you're riding a racehorse and it's wild, and it's always different. The way he locks in with Jeff and then the way Jeff [Ament] and Stone [Gossard] lock in… and then it allows Mike a canvas to do his. It could be very technical and perfect and it could be Jackson Pollock as well.”
Given the chance, Eddie agrees with Nicole about grabbing the new PJ album and retreating to the best place to listen to new music: In a car, with the windows closed “whether you're moving or just still,” he says. “I mean, I do it in the driveway. I think my neighbors heard this record before me. But also, being out on the road with the windows open, that's pretty good too.”
“Some of my best listening experiences have been with Walkman's on a hike at the top of a mountain,” Vedder adds. “There's something about the outdoors, or on the shoreline. It's like nature has a hand in it… and I think probably because lyrically nature is in there. Nature and the ocean, and waves… whether it's a calm sunset or a storm… I think nature informs a lot of the lyrics as well.”
Giving us a preview of what's to come, KROQ's Nicole Alvarez had Eddie Vedder talking about Pearl Jam's fast-approaching Dark Matter world tour, namely their shows in Los Angeles on the 21st and 22nd of May at the Forum. “But the other one,” he revealed, would be the Ohana Festival in Dana Point, CA happening this September. “This year it's September 27th-29th and as of today, I can tell you the headliners on the 27th and 29th are gonna be our group.”
“So, Pearl Jam on the seashore… that's something to look forward to for us, certainly," Vedder adds. "And then in the middle on the 28th, we have Neil Young and Crazy Horse. The whole rosters are very impressive and inspiring and exciting… it should be good!”
After making their return earlier this year with their new album's title track, the Seattle Alt-rock faves officially revealed 2024's Dark Matter was set to arrive on April 19, produced by multi-GRAMMY award-winning producer Andrew Watt, marking the band’s first release since 2020’s critically-acclaimed Gigaton. 
Don’t miss our full Audacy Check In with Pearl Jam's Eddie Vedder above -- and stay tuned for more conversations with your favorite artists on <a href="https://www.audacy.com/live">Audacy.com/live</a>.
Words by Joe Cingrana Interview by Nicole Alvarez

Pearl Jam's Eddie Vedder | Audacy Check In | 4.18.24

Girl In Red joins host Brad Steiner for an Audacy Check In to discuss her brand new sophomore album, I'M DOING IT AGAIN, BABY!, available everywhere April 12.

Girl In Red's 10-track follow-up to her 2021 debut is out now, featuring the previously released singles "Too Much," "I'm Back," "You Need Me Now?," with Sabrina Carpenter, and plenty more.

Norwegian-born singer, songwriter, and producer, Marie Ulven Ringheim, better known as Girl In Red, sat down with host Brad Steiner at the Hard Rock Hotel New York to get into details about how the new record came together, what she's got planned for fans on her upcoming supporting tour, and more.

In the past and documented on her first release, 2020’s If I Could Make It Go Quiet, Marie has admitted to not being the best when it comes to the dating scene, but these days she says she has a girlfriend now, “So I’m good. I’m set for life.” Now happily “in love,” this second album she says reflects how “I know everything I'm doing… I'm so professional.”

Looking back on the track “hornylovesickmess” from her debut release, where Marie sings about feeling weird about how things have changed in her life, she says, in all honesty, “probably not that much,” really changed. “I was probably hyping myself up way too much in that song. But, you know, in that song, I'm talking about being in Times Square and I'm looking at my face on a billboard… I feel like something similar is gonna happen in the next couple of days.”

“I have a girlfriend and I have a dog. I have a car, I have an apartment, and I'm touring the world. I didn't do that before,” she says of how things have steadily progressed.

Overall, Marie is ultra-excited for fans to hear the new album mainly because she believes “all the songs are really f***ing sick. That's like my most prideful moment, because I just think they're all really cool and funny, and just they all have such strong identities, in my opinion. Obviously, I'm very f***ing biased.” Reflective of her own personality, fans can expect the new release to be just as eclectic as her debut, only this time she’s spelling it with all caps.

“I think I've kind of regained some of my confidence the last couple of months, maybe the last year and a half, going into my twenties,” Marie says. After finding quite a bit of success with her first record, she admits, “I definitely lost a lot of my self-esteem. I was like, ‘Damn, I f***ing suck. I'm unlovable. I hate myself.’ I was in a really bad place and now that I have a girlfriend and I have physical proof that I'm not unlovable. Also, I've managed to find my way back to that playful self-esteem that I had when I was a teenager because you kind of lose that when you get older and you start seeing that you're not special and nobody gives a f*** and the world is ending.”

“I think that's kind of where I found the confidence with all these capital letters,” she explains. "‘I’M DOING IT AGAIN, BABY!’ is kind of like I found my confidence again, I found my self-esteem, and I realized nothing f***ing matters. So let's f****ing go!”

Getting to that happier place “takes a lot of time, and it takes a lot of hard work, and it takes a lot of realizing that you have to do the work yourself. And also, my go-to thing now is saying ‘yes’ to life…  Say ‘yes’ and stop being a p***y. That's what I did because I was constantly falling for my own kind of hinders. Life is really uncomfortable. So, I'm just gonna be uncomfortable, embracing the uncomfortableness and then just saying yes to life.”

Saying "yes" when Taylor Swift asks you to open for her on her world tour would certainly be one of those times. “I opened for her at the tour in four different cities. Eight shows, best eight shows of my life, especially watching her shows,” says Marie. “When you talk about the confidence and the things that give you the shot of adrenaline and confidence like that… Just pure humbleness, pure I don't know, maybe just like shock. Just getting that recognition is beyond insane. I think I was more like, ‘Wow, is this even real?’"

I’M DOING IT AGAIN BABY!is available everywhere -- and tickets for Girl In Red's 2024 world tour are on sale now.

Words by Joe Cingrana Interview by Brad Steiner

Girl In Red joins host Brad Steiner for an Audacy Check In to discuss her brand new sophomore album, I'M DOING IT AGAIN, BABY!, available everywhere April 12.
Girl In Red's 10-track follow-up to her 2021 debut is out now, featuring the previously released singles "Too Much," "I'm Back," "You Need Me Now?," with Sabrina Carpenter, and plenty more.
Norwegian-born singer, songwriter, and producer, Marie Ulven Ringheim, better known as Girl In Red, sat down with host Brad Steiner at the Hard Rock Hotel New York to get into details about how the new record came together, what she's got planned for fans on her upcoming supporting tour, and more.
In the past and documented on her first release, 2020’s If I Could Make It Go Quiet, Marie has admitted to not being the best when it comes to the dating scene, but these days she says she has a girlfriend now, “So I’m good. I’m set for life.” Now happily “in love,” this second album she says reflects how “I know everything I'm doing… I'm so professional.”
Looking back on the track “hornylovesickmess” from her debut release, where Marie sings about feeling weird about how things have changed in her life, she says, in all honesty, “probably not that much,” really changed. “I was probably hyping myself up way too much in that song. But, you know, in that song, I'm talking about being in Times Square and I'm looking at my face on a billboard… I feel like something similar is gonna happen in the next couple of days.”
“I have a girlfriend and I have a dog. I have a car, I have an apartment, and I'm touring the world. I didn't do that before,” she says of how things have steadily progressed.
Overall, Marie is ultra-excited for fans to hear the new album mainly because she believes “all the songs are really f***ing sick. That's like my most prideful moment, because I just think they're all really cool and funny, and just they all have such strong identities, in my opinion. Obviously, I'm very f***ing biased.” Reflective of her own personality, fans can expect the new release to be just as eclectic as her debut, only this time she’s spelling it with all caps.
“I think I've kind of regained some of my confidence the last couple of months, maybe the last year and a half, going into my twenties,” Marie says. After finding quite a bit of success with her first record, she admits, “I definitely lost a lot of my self-esteem. I was like, ‘Damn, I f***ing suck. I'm unlovable. I hate myself.’ I was in a really bad place and now that I have a girlfriend and I have physical proof that I'm not unlovable. Also, I've managed to find my way back to that playful self-esteem that I had when I was a teenager because you kind of lose that when you get older and you start seeing that you're not special and nobody gives a f*** and the world is ending.”
“I think that's kind of where I found the confidence with all these capital letters,” she explains. "‘I’M DOING IT AGAIN, BABY!’ is kind of like I found my confidence again, I found my self-esteem, and I realized nothing f***ing matters. So let's f****ing go!”
Getting to that happier place “takes a lot of time, and it takes a lot of hard work, and it takes a lot of realizing that you have to do the work yourself. And also, my go-to thing now is saying ‘yes’ to life…  Say ‘yes’ and stop being a p***y. That's what I did because I was constantly falling for my own kind of hinders. Life is really uncomfortable. So, I'm just gonna be uncomfortable, embracing the uncomfortableness and then just saying yes to life.”
Saying "yes" when Taylor Swift asks you to open for her on her world tour would certainly be one of those times. “I opened for her at the tour in four different cities. Eight shows, best eight shows of my life, especially watching her shows,” says Marie. “When you talk about the confidence and the things that give you the shot of adrenaline and confidence like that… Just pure humbleness, pure I don't know, maybe just like shock. Just getting that recognition is beyond insane. I think I was more like, ‘Wow, is this even real?’"
I’M DOING IT AGAIN BABY! is available everywhere -- and tickets for Girl In Red's 2024 world tour are on sale now.
Words by Joe Cingrana Interview by Brad Steiner

Stephen Sanchez | Audacy Check In | 6.22.22

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