Brett Whiteley was inspired, like many artists, by the female form. How do we critique these artworks through a contemporary lens and their place in a long history of the female form being relegated to an object for the male gaze? Fenella Kernebone discusses these ideas with curator Anne Ryan; Wendy Whiteley; and artists Mitch Cairns and Deborah Kelly. 

To view this artwork, go to agnsw.art/bwspodcast

Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW © Estate of Robert Walker.

Brett Whiteley was inspired, like many artists, by the female form. How do we critique these artworks through a contemporary lens and their place in a long history of the female form being relegated to an object for the male gaze? Fenella Kernebone discusses these ideas with curator Anne Ryan; Wendy Whiteley; and artists Mitch Cairns and Deborah Kelly.&nbsp;
To view this artwork, go to <a href="agnsw.art/bwspodcast">agnsw.art/bwspodcast</a>
Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &copy; Estate of Robert Walker.

'Art, life and the other thing' is the controversial self-portrait that won artist Brett Whiteley the Archibald Prize in 1978. In this six-part series, acclaimed arts presenter Fenella Kernebone explores identity, addiction, legacy, feminism, place and the creative process, using seminal works from Whiteley’s oeuvre as conversational springboards with contemporary Australian artists, curators and academics.

To view the artworks mentioned in the titles go to agnsw.art/bwspodcast.

Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW © Estate of Robert Walker.

'Art, life and the other thing' is the controversial self-portrait that won artist Brett Whiteley the Archibald Prize in 1978. In this six-part series, acclaimed arts presenter Fenella Kernebone explores identity, addiction, legacy, feminism, place and the creative process, using seminal works from Whiteley&rsquo;s oeuvre as conversational springboards with contemporary Australian artists, curators and academics.
To view the artworks mentioned in the titles go to <a href="http://agnsw.art/bwspodcast">agnsw.art/bwspodcast.</a>
Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &copy; Estate of Robert Walker.

Art, life and the other thing

Art, life and the other thing is the controversial self-portrait that won artist Brett Whiteley the Archibald Prize in 1978. In this six-part series, acclaimed arts presenter Fenella Kernebone explores identity, addiction, legacy, feminism, place and the creative process, using seminal works from Whiteley’s oeuvre as conversational springboards with contemporary Australian artists, curators and academics.

Art, life and the other thing is the controversial self-portrait that won artist Brett Whiteley the Archibald Prize in 1978. In this six-part series, acclaimed arts presenter Fenella Kernebone explores identity, addiction, legacy, feminism, place and the creative process, using seminal works from Whiteley&rsquo;s oeuvre as conversational springboards with contemporary Australian artists, curators and academics.

Sculptures of her

https://api.omny.fm/orgs/382a3062-7560-4a4a-962b-ad2b0188db59/clips/d8396255-b52c-4582-b27e-ad7b00491418/transcript

This final episode talks about one of Brett Whiteley’s greatest works and one of his most significant in scale and ambition. What inspired the painting’s narrative of birth to enlightenment? What is the significance and legacy of the artist Brett Whiteley? Fenella Kernebone talks with curator Anne Ryan and Barry Pearce; Wendy Whiteley; artist Abdul Abdullah; and Whiteley's biographer Ashleigh Wilson. 

To view this artwork, go to agnsw.art/bwspodcast

Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW © Estate of Robert Walker.

This final episode talks about one of Brett Whiteley&rsquo;s greatest works and one of his most significant in scale and ambition. What inspired the painting&rsquo;s narrative of birth to enlightenment? What is the significance and legacy of the artist Brett Whiteley? Fenella Kernebone talks with curator Anne Ryan and Barry Pearce; Wendy Whiteley; artist Abdul Abdullah; and Whiteley's biographer Ashleigh Wilson.&nbsp;
To view this artwork, go to <a href="agnsw.art/bwspodcast">agnsw.art/bwspodcast</a>
Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &copy; Estate of Robert Walker.

Alchemy

https://api.omny.fm/orgs/382a3062-7560-4a4a-962b-ad2b0188db59/clips/8d7608c4-996b-48a2-9a09-ad7b00491413/transcript

This episode looks at Brett Whiteley’s iconic landscape painting 'The balcony 2' 1975, it’s a work the artist painted at his home in Lavender Bay overlooking Sydney Harbour. Fenella Kernebone discusses this most recognisable of Whiteley’s works and the genre of landscape painting with curator Anne Ryan; Wendy Whiteley; artists Nicole Kelly, Blak Douglas and Abdul Abdullah. 

To view this artwork, go to agnsw.art/bwspodcast

Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW © Estate of Robert Walker.

This episode looks at Brett Whiteley&rsquo;s iconic landscape painting 'The balcony 2' 1975, it&rsquo;s a work the artist painted at his home in Lavender Bay overlooking Sydney Harbour. Fenella Kernebone discusses this most recognisable of Whiteley&rsquo;s works and the genre of landscape painting with curator Anne Ryan; Wendy Whiteley; artists Nicole Kelly, Blak Douglas and Abdul Abdullah.&nbsp;
To view this artwork, go to <a href="agnsw.art/bwspodcast">agnsw.art/bwspodcast</a>
Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &copy; Estate of Robert Walker.

The balcony 2

https://api.omny.fm/orgs/382a3062-7560-4a4a-962b-ad2b0188db59/clips/3ec48e57-02f3-4924-8420-ad7b00491394/transcript

This lesser-known artwork says a lot about Brett Whiteley and his inner struggles. Fenella Kernebone talks about artists and addiction with curator Anne Ryan; Wendy Whiteley; artists David Griggs and Natasha Walsh; and musician Steve Kilbey, lead singer of iconic Australian band The Church. 

To view this artwork, go to agnsw.art/bwspodcast

Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW © Estate of Robert Walker.

This lesser-known artwork says a lot about Brett Whiteley and his inner struggles. Fenella Kernebone talks about artists and addiction with curator Anne Ryan; Wendy Whiteley; artists David Griggs and Natasha Walsh; and musician Steve Kilbey, lead singer of iconic Australian band The Church.&nbsp;
To view this artwork, go to <a href="agnsw.art/bwspodcast">agnsw.art/bwspodcast</a>
Podcast artwork - Brett Whiteley in his studios 1970 (detail), photo: Robert Walker, National Art Archive, AGNSW &copy; Estate of Robert Walker.

The heroin clock

https://api.omny.fm/orgs/382a3062-7560-4a4a-962b-ad2b0188db59/clips/0e074e21-4de6-4531-875b-ad7b00491420/transcript

Sculptures of her

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Art, life and the other thing

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