“I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history," says writer and performer Harry Josie Giles. She and PhD researcher Moll Heaton-Callaway investigate this complicated name with fascinating history. This is the second half of a pair of episodes about the name Fiona; listen to the first episode before this one! theallusionist.org/fiona1.

Find out more about this episode and get extra information about the topics therein at theallusionist.org/fiona2, where there's also a transcript.

Both Josie and I relied heavily on Sharon Krossa's research into the etymology of Fiona; read it at medievalscotland.org/problem/names/fiona.shtml.

The Allusionist's online home is theallusionist.org. Stay in touch at facebook.com/allusionistshow,instagram.com/allusionistshow, youtube.com/allusionistshow and twitter.com/allusionistshow, while it still stands. Support the show at theallusionist.org/donate and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.

The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via palebirdmusic.com.

“I don't think that anyone should come away from this conversation not wanting to use the name Fiona. I think this is a beautiful and rich history. It might not be quite the history that you imagined, but I think it's a beautiful history," says writer and performer Harry Josie Giles. She and PhD researcher Moll Heaton-Callaway investigate this complicated name with fascinating history. This is the second half of a pair of episodes about the name Fiona; listen to the first episode before this one! <a href="theallusionist.org/fiona1">theallusionist.org/fiona1</a>.
Find out more about this episode and get extra information about the topics therein at <a href="theallusionist.org/fiona2">theallusionist.org/fiona2</a>, where there's also a transcript.
Both Josie and I relied heavily on Sharon Krossa's research into the etymology of Fiona; read it at <a href="https://medievalscotland.org/problem/names/fiona.shtml">medievalscotland.org/problem/names/fiona.shtml</a>.
The Allusionist's online home is <a href="http://theallusionist.org/">theallusionist.org</a>. Stay in touch at <a href="http://facebook.com/allusionistshow">facebook.com/allusionistshow,</a> <a href="http://instagram.com/allusionistshow">instagram.com/allusionistshow</a>, <a href="youtube.com/allusionistshow">youtube.com/allusionistshow</a> and <a href="http://twitter.com/allusionistshow">twitter.com/allusionistshow</a>, while it still stands. Support the show at <a href="theallusionist.org/donate">theallusionist.org/donate</a> and as well as keeping this independent podcast going, you also get behind-the-scenes glimpses of the show, fortnightly livestreams, special perks at live shows, and best of all the Allusioverse Discord community.
The Allusionist is produced by me, Helen Zaltzman. Martin Austwick provided editorial help and the original music. Hear Martin’s own songs via <a href="http://palebirdmusic.com">palebirdmusic.com</a>.

Adventures in language with Helen Zaltzman. TheAllusionist.org

Adventures in language with Helen Zaltzman

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