Confident Ignorance with rapper, novelist, and filmmaker Logic

Published Sep 17, 2024, 7:00 AM

Vision, not skill, is the heart of creativity. But when a creative vision gets too big for one person, the key is to ask for help.

Logic is a platinum-selling rapper who’s made waves in the hip hop world. After a troubled childhood, he started making music with a positive, introspective message, eventually receiving nominations for two Grammy Awards. But after achieving massive popular success, he decided to branch out into something different. Today, he writes science fiction novels, makes movies, and is the only rapper to also have a New York Times bestseller.

I sat down with Logic, whose real name is Bobby Hall, for a deep dive into bringing creative visions to life — especially when you have no idea what you’re doing.

This…is A Bit of Optimism.

 

For more on Logic and his work, check out:

his new novel, Ultra 85

@logic

 

Creativity is something innate in all of us. But sometimes our creative instinct becomes so incessant, so overwhelming, it becomes intrusive, an obsession that keeps coming up at night. So what do you do when you have a creative vision that you just can't let go of, but you have no idea how to bring it to life? My guest today might have some answers for you. Stay tuned. Can you write a song if you don't know how to play an instrument? Can you make a movie if you don't know how to direct? Can you choreograph a piece of dance if you don't know how to dance? It turns out the answer is yes. If you're familiar with the artist Bobby Hall, you probably know him as the platinum selling rapper Logic. Bobby made waves in the music world with his brand of positive, introspective hip hop, and he was nominated for two Grammys for his song White eight hundred two seven three eight two five five, which was named after the National Suicide Prevention Lifeline. In the three weeks after the release of that song, calls to the hotline increased twenty seven percent. He's also the only rapper who's written the best selling novel, and he's written his own movie, and no one knows what he's going to do next. The one thing we do know is that you don't actually have to have the skills to make stuff. You just have to have the vision to make This is a bit of optimism. Do you prefer Bobby or logic? Even though I like Bobby logic.

You can call me whatever you want, man, I'm just floating on a rock figuring it out.

Oh my goodness, dude, we made it way.

I mean I got an a for effort.

Yeah, no, for sure.

But you don't understand, bro, I just talked to my mom for the first time in fifteen years on the phone.

What Yeah, I know.

That's why I was like a little late to start adding. Eden is the whole thing anyway, You caught me out a crazy ass tarn.

Dude, Why haven't you talked to your mom in fifteen years?

Let's start there, Because she was very abusive and mentally unstable when I was a child, But I know that was due to her own abuse throughout her lifetime, which led to her mental declined and essentially just kind of ruined her human experience on this earth and then it was a crazy She's had a crazy ass life.

You know, how old are you?

I'm thirty four, so fifteen years ago. So this is this is up to nineteen. So you have helt your mom since you were nineteen. And when you say she had her own challenges when she had a crazy life, what what? What was her life?

Well? You know, she it's it's super deep, you know what I'm saying.

From just like physical and sexual assault and abuse and all that kind of stuff.

It's just something that was it stayed with her.

You know. She has PTSD and trauma and a lot of that stuff that I had to deal with, like when I was a kid, you know what I'm saying, Like she almost killed me when I was a kid, She like almost choked me to death and stuff and wild stuff. Man, just being around, you know, having killers and murders and robbers in the house.

And she's an addict and so is my father.

So being surrounded by violence and drugs and guns and craziness makes.

For good books, you know what I mean.

So how did it come about that you talk to your mom just now, like literally just before you got on with me. Who reached out to who.

I've I had tried to talk to my mom for a couple of years or just over the years, I would like reach out or I'd talk.

To a brother or a sister, and they kind of be like, nah, like.

You know, don't like she's not really in a good space or this or that. It's just never kind of worked out. I talked to my brother like last year or the year before and told him that I wanted to speak to my mom, you know, cause she's getting old. She's sixty three, you know what I'm saying. So, and she's done a lot of drugs in her day. So I'm like that time's gonna come, you know. And I had already previously like kind of forgiven her for all the stuff that she put me through as I've grown and matured and aged as a human being, and you know, just come to the realization of essentially she was just a broken person at that time, you know what I mean. And she had told my brother if he wants to talk to me, he can write me a letter, and that really hurt me because I just wanted to hear my mom's voice, you know, because it had been so long, and when I talked to her, today though, she was like, that wasn't my tone, you know, So I kind of took it like if he wants to talk to me, he can write me a letter.

I'm like, what kind of shit is that? I just want to talk to my mom.

But she was like, no, I just wanted to see where you were at mentally. She was like, before I put myself in that because maybe I was upset or angry or wanted that.

But which is not who I am, you know.

But she's even told me, she's like, I haven't followed your career because it just hurts too much to it hurt too much to see you or whatever. So anyway, needless to say, it was a crazy conversation. It was super positive and very nice and great, and I just hadn't eaten and I was starving, so that's why we.

Had to started a little late. Good way to start the pod, though.

To hear this from you is it's a perfectly good thing to start talking about. A lot of people who go through childhoods like you had don't sound like you now, or maybe they do, but many many years later that you have forgiveness. I'm very curious about people who go through extreme difficulty and abuse and things like that. How they get to the point of forgiving the people who hurt them.

I think it's looking at it from a realistic standpoint, you know, because how can you actually be like angry at a drug addict, you know what I'm saying, like a person with a disease, Like, how could you be angry at, you know, someone with mental health issues.

I think we tend to as human beings we do that.

Like if you have a dad who was abusive or this or that, but it's like he himself was abused, so because of that, you know, he was never really the right figure in the first place, but he was the only figure there, so then you can hold that resentment, you know what I mean. But I think as you age and grow and get older, it's like, you know, there are some straight up evil people in the world.

That's not really who I'm talking about here, you know what I mean.

I'm talking about people who leave their families or spend all their money or use them for money because of a drug addiction or this or that.

Like that's it's actually different. Is it messed up? Of course it's terrible.

You know, my dad stole my social Security card because we have the same name. Name is Sir Robert Bryson Hall. The second his name is Robert Bryson Hall. And it's like when I was ten, he ruined my credit. So it's like there's things like that, or I could step back and be like, yo, he was like living for an addiction. So as an adult, I can put myself in that position, in that situation and find solace in the fact that it was it wasn't a.

Man trying to take advantage of some child.

It was, you know, a man who was internally broken and essentially the only thing that could free him from such purgatory was the substance in which he was.

Trying to escape through.

So when you when you when you see it that way, forgiveness isn't that hard.

Yeah, But you're looking at it as if you're a third party, right, because though that is all true, you also were forced to live a more difficult life and suffered as a result of their disease. So, for example, your credit was ruined by the age of ten, So when you're at an age where you actually need credit, you've gotten none through note fold of your own. You had to fix your credit yourself or you had to overcome, you know, the challenges of not having parents who are there few and all of those things you still had to overcome. And I have to believe at some point in your life you felt a little bit like a victim, like they did this to me, or I have to do this because of them, or I'm suffering more because of them. Like at what point or what happened that the conversion happened, Because there's no way you went through that and you were fine with it the whole time and had forgiveness in your heart from the beginning. No way.

No, I definitely didn't have forgiveness in my heart the whole time. But what was crazy is I always had this sense of.

I had common sense.

So like, you know, I walk in on my father smoking crack, trying to deny it in the bathroom, and he's like, and I'm like, Okay, don't smoke crack.

You know.

I walk in on my mother bloody and beaten by some random dude she brought home, and I'm like, this is not how you treat women. You know, my brothers are in the streets shooting guns and resulting in certain things. I won't even say publicly, and I'm like, maybe I shouldn't run around the like it's just as as it's happening.

That was where my mind was.

So I don't know what that is, man, I don't know what you call it regarding forgiveness and specific I think that was more so just maturity growth and especially fatherhood. You know, it puts things into perspective, you know. I think about the things that I endured and went through based upon decisions made or rather not by my parents, primarily my mother, and I look at my child and think, I could never do that to a kid.

I could have never done that to this pure soul. But I think that's also what makes me awesome, you know.

What I mean, Like if I'm just being real, like it's like, I'm not going to do that. Like, so those experiences that I went through taught me in great detail how to be the best father and me that I can be. And I mean, I still ain't shit, you know what I'm saying. Like I'm still trying to figure it out. I'm floating on a rock, you know what I mean. But you know, I think I'm doing okay, and that makes me happy. It makes me happy that my kids love me, and I'm there for my wife and my.

Friends and a support system.

I was talking to my homie yesterday, Man, I don't really get a lot of days for myself, so I've been trying to give myself a personal rest day just for me, and my homie was hanging out with me and I told him. I was like, man, I got so much on my plate. You know, I just filmed this movie. I'm gonna star in another movie. I got this album done, I'm working with Seth MacFarlane on another album. I just started this other album. My novel's about to drop. I got another one I'm working on. I'm writing this three scripts da all this sudden. I was like, man, it's just a lot. He was like, sounds self imposed, and like I knew that for a long time, but the way he said it to me it hit me in such a way where I was like, Oh, I am doing this to myself. I am kind of adding this stress and this weight to myself.

And I like it. And I think the thing that I.

Like about it stems from the fact that I never really had much to do as a child, or much to distract me, and so would I would fall into creativity and I would fall into work, and without question, I'm a workaholic.

I can't not work even on my off days.

Yesterday, you know, I was working on thirty pages of a new script at midnight, Like.

I just just who I am.

And it all, I think stems from the fear of not wanting to be what the surroundings were when I was a child, you know what I mean. My parents didn't work, these people around me didn't do anything, and I didn't want to do that.

I think the.

Good part of it is although I am a workaholic, I know that I have a healthy relationship for the most part, and on most days with my work, you know, and I don't ignore my family or my children. And I have mandatory days weekends no matter what, just me and the family, no work, you know, date nights set every week for me and my wife to go out and you know, have some fun romance. And this shit is important. Man, it's crazy.

Sorry, I know, I'm going off on a bit of a tangent. Dog.

Oh, it's such a What I so appreciate is there are people who, you know, let me ask the question. I'll come at it differently, which is how much of your identity is tied to your work. Do you have an identity separate from your work or are your work and your identity intertwined?

Said deep ast question. My identity is separate from my work without question.

And the reason I ask is a lot of workaholics there are identity is too intertwined with their work. Where they are strong, confident, good people so long as they're working hard, doing good work and having success. And if they aren't or they have a setback, they'll be defensive about the work. But really they're defending themselves.

No I'm not. I'm not that way.

Okay, my work it's weird, man, because it is a part of my identity, but it's not solely my identity.

Like I said, you.

Know, it's a health you have a healthy separation without questions. I would argue that my work is a reflection of my identity, but my value of myself is disconnected from my work. So I can have a serious work setback and I don't think of myself as a failure.

I didn't do that until a couple of years ago, because you know, my work was.

My story, my life, my this, my that.

So it's like if I put out an album then it received negatively or a song or people on the internet or whatever. That would affect my actual every day like you know, it would affect me and my sense of self worth or lack thereof, or feeling you know, regarding enough good enough, cool enough, black enough, this enough, that enough, like whatever, and it would really mess with my mind deeply. I was very depressed, and even through having my first child and through COVID like trying to discover and figure that out. And once I truly understood this sense of self love and appreciation for myself away from my work, Yeah, that's when I had it. So yeah, I think it's funny. I think it was that thing, but it's not anymore. So when you had said it, I was like, no, I don't feel that way. It's crazy and I feel very much so like yourself. I feel that my work is a reflection of me. I'm not a reflection of my work, and my work is the ethic behind it. You know, I'm like Edison a thousand times, however many times until that light goes off, like that's just who I am. Whether I'm playing a video game and I'm trying to beat the boss and I'll stay. I'll be there for eight hours or you know. I learned the Rubik's cube learn how to learn the rubs cube on Thanksgiving twenty and fourteen, and I locked myself in a room for sixteen hours, however long it was. It was like, I'm not leaving until I can solve the Rubis cube. And then I did it, you know, and.

Learned every single algorithm, every level, every step. Like that's who I am.

What's funny, you know you come from to both your parents are addicts, and what's interesting is it seems like you have it in you. You know, they say addicts are children of addicts.

You know, I am one thousand percent an addict.

And so you get addicted to the things you get addicted to. It sounds like are just healthier than crack low bar. I grant you, but.

That is a bar.

Literally, that's a wrap there. Yeah, you just snap now for sure. Like you know, I was never into hard drugs anything like that. Even with alcohol, I've always like watched it almost over to the point. I remember talking to my therapist and I was like, she was like, you don't have that problem with alcohol.

You have a problem with alcohol. I was like what.

She was like, you just overthink alcohol because of your parents. She was like, You're fine, and I was like, oh, like, you know, so that was a couple of years ago, and I've just like had all these thoughts regarding addiction and this and that, and my thing is I have to be doing something, you know, my heart. One of my hardest points was actually last year when I felt like I didn't have anywhere to put my creativeness and I was drinking a little more than I should because of that, you know, kind of definitely using alcohol as a form of self medication out to the point where I'm fucking drooling and falling all over the place or anything like that to really turn the voices in my head down because they never stop, you know, intrusive thoughts of creativity and.

Stuff like that.

But the question is, if you feel that you genuinely have no outlet, it feels as as though that those voices that are generally there to aid you have now kind of in many ways become a foe. And so, you know, I drink more than I should because I didn't know what was next for me. And then it hit me like, you know, I was trying to turn these voices down, trying to turn shit down because I didn't know what was next. And so if my mind is forever going, and it's usually thinking about like a scene or a lyric or a novel idea or this or that, now it's like it's my health, okay, like I'm chey, like health anxiety, and I'm overthinking that in my future and money and like oh no, like what if I just did this?

What if I stop working? Is the money going to go away? Am I going to go away? You know?

I'm purposefully not making pop music anymore because that doesn't really make me happy. And when I reached the height of that pop mainstream success, I was left a bit empty.

What do I do now? And then it hit me one day that it's it's.

Not just film, but it is film. Film is my true future. That's where I'm putting one hundred billion percent of like my energy towards. But it is music, it is novels. It is like I had to realize, like it doesn't have to just be one one thing. And I think finding your purpose is really important, but I had found mine so young that by the time I finally hit the goal and reached that goal of like essentially everything a musician could dream to attain.

There was nothing left.

You know, It's like Michael Phelps eight medals, like then what you know your body's not what it used to be? Then what you woke up every single day, jumped in a pool every day of your life and now you're in a desert?

What are you gonna do? You know what I mean?

And so that's where we talk about that sense of self worth and not equating that to your work. And when I realized that, I found myself much happier, which it's still a struggle every day.

I'm a human being.

You said something you talked about you know, I had my purpose until I achieved my goal. And if that's what you meant, that's a common misperception where people confuse purpose and goals. Like my purpose was to become a pop star. My purpose was to have a number one hit. My purpose was to win eight gold medals, become the most metaled Olympian of all time. But those aren't purposes. Those are simply goals. And you can't achieve a purpose. You can advance towards it, you can build upon it, you can live it. You can't achieve a purpose.

Wow, that's exactly how I feel. Like that's what I had gone through. Yeah, you know what I mean. So I hear you on that. Yeah, that's right.

I think that's where people get confused because you try lots of things looking for your purpose, or you set these goals thinking that you're living your purpose, and the two are easily confused because both require lots of energy and lots of passion. You know, like whether you want to be on Broadway or you want to be a singer, or you want to be an actor, or you want to go to law school, or you want to get it to Harvard or you know, like, you know whatever this outsized ambition is, and it feels like purpose because you make sacrifices for it, which you do when you're purposeful. You're fixat on it. You can see it, you can smell it. But the problem is it's achievable or worse or worse. And what if that is you confuse your goals and your ambitions with your purpose and you don't make it to Broadway and you don't become a multi platinum selling artists, then what my.

Purpose is to create?

That's really what it is to create to entertain, you know, to inspire. That's that's what it is because I've been inspired, taking my inspirations and wearing them on my sleeve. That's but it took a long say, it takes a long time, man, you know what I mean. Look, and I mean I've learned it young.

Like I'm thirty four. That's another.

So you're pretty much ahead of the game.

Yeah, but it's like the game makes you think, like especially a hip hop game, and like mainstream media, it's like, oh, you're thirty four, you got wrinkles and your hairlines going a little bit, and.

Uh, that's it. Oh, that's it, that's over, you know what I mean.

So I had to make a switch of realizing, like I'm not making music for teeny boppers no more.

You know what I mean. I'm not making music for kids. I'm not a kid anymore.

It's like when I'm rapping on songs, I'm rapping about like doing your taxes and like, you know, being a successful person and like, you know what I mean, Like it's different when I was younger, albeit you know, very still positive and you know, in that lane, I was still you know, just rapping about young people's shit, you know and stuff, and so for me, yeah, my purpose is, my purpose is to create and write and spread a positive message. Like that's really, that's that's all it is, you know. And I think I thank you for this because like this is already off jump like a core memory, cause you kind of helped me be able to put it into words that I couldn't even explain, but I knew inherently and deep down in myself through a sense of a moment of self discovery, you know, say ten to eleven months ago, when I decided to fund my own film for a few million dollars and really dive into that which isn't out yet, but that.

You hold on, I want to push you, which is you went from conflating your purpose with a goal to conflating purpose with an activity. My purpose, you said, is to create and write and make inspiring stuff, right.

Yeah, my creative purpose. Yeah as an artist, Yeah, my purpose is an artist to explain, Wait, so.

What's the difference when your purpose as an artist versus your purpose as a person.

Because I think my, I mean, my true purpose as a person is to just set a good positive example.

But I think that but I think that I am.

I am an artist, Like it is my identity, like that that is a real thing, Like it's who I am. Like I'm not saying my work. There's a big difference, but like I'm an artist, you know what I mean. You look at and I'm not comparing myself saying you look at Da Vinci. That's not just a guy, you know what I mean. It's like that's Da Vinci, you know what I'm saying, or this or that or Prince or whatever.

It's like that's who they are. Like I am a writer.

Like if you take yeah, if you take writing and creativity away for me, I don't think I could.

They are there are a core to your identity.

Yeah, it's like the thing that is the most important in my life is my children and my.

Wife, Like that's the most important thing to me.

But if you took away creativity and time for myself to be able to create my own worlds, I'd be no good to them because I wouldn't be happy. You know. It's like the mask at the bottom of the ocean or on an airplane, Like there has to be that thing that self selfishly gives me purpose, and to me, that's what it is. It's to create, you know, and as you said, a goal, man, that's really cool to be able to really differentiate between the two, you know. And and wow, thank you because it's really cool the way you put it, because I'm at this place in my life, this juncture where I'm like really trying to figure out a lot about myself in a good way, you know, and I'm doing I'm seeing it.

I was really locked off for a long time of like.

Not knowing what was next. And I think those were goals because it's like, no matter what, the whole time, I'm still doing that thing, which is writing or creating, singing, rapping, acting, Like I love that, and the main key component there is a message.

We'll be right back. Tell me a project you've been a part of, something you've made, something you've written, something you've sung about a song. I don't care. It doesn't even have to have been commercially successful. And if all of your projects were like this one, you'd be the happiest person in a live.

Honestly, it would be the film I just made. I never felt anything like that in my life.

It was the.

Greatest experience ever because it wasn't just me in a room alone with four guys for ten months.

It was me and eighty p.

And I'm at the head of this, and they're all kind, and they all understand the tone of the film and what we're trying to say and what we're trying to do make people laugh but also think and this and that. It was the craziest experience I was. I was scared and nervous because it was new and exciting, and yeah it was I mean, just to wake up every day and be surrounded by dozens and dozens of people all there for what I'm trying to do in from my head and they care was the craziest experience for me.

On anything, over music, over everything.

So you've done some amazing things in your career. I mean the song you wrote about the suicide hotline that was remarkable and it had a massive and positive impact in the lives of people. And yet you choose to tell me about the film and not that song.

What was it about that? That's that's selfish.

You said, What's what's the greatest thing that I loved more than anything that I could do over and over and over again.

Right right? But that's why what's been sic what specifically was it about making this film that was so different than all the other remarkable things that you've worked on.

I think the thing that was sorry for the Elon Musk pause, I think the thing that was.

It was different.

It was like it was like letting me know that I don't have to just do that thing, and that even though I might make a bunch of money if I just did that thing over and.

Over and over again, it wasn't fulfilling.

And and to know that I was absolutely terrified, like every day, I mean, in millions and millions of my own dollars in this film, that if something went wrong, and a lot of things went wrong, but I made it work. But if something devastating happened, it's like this dream, this thing could not be there.

So what was it is that it was? It was since I was.

A little boy making Jim Carrey faces in the mirror, wanting to star in a film, and this and that, and and then you get on set and you realize how like it just becomes so much less about the vanity of it.

It's weird.

It's like, WHOA, this is an ecosystem of something I've never been a part of, and deep in my heart and soul. Always knew I could crush and I'd go to auditions and they're like no.

And I'd go to auditions and they're like no.

And I'd go to studios and be like, check out this script and they're like eh. And I go over here and I'm like please, please, please, And then I sit down with Kevin Smith, and Kevin Smith was like just making yourself fuck them, just do it. And I'm like, easy for you to say, you know what i mean, He's like, just do it. I mean, it was a beautiful experience because it was unlike anything I'd ever done in my.

Life, you know what I mean.

I've made music since I was like eleven, you know what I mean, So stepping into this new space and seeing that I mean, don't get me wrong, the same with novels. You know, I can describe myself in a different way, but you know what it really is. I think what's so beautiful about the film is that there's so many messages in this film that I've talked about in my music for so many years. But it's crazy when you can show someone instead of telling them, and in my music, I've just been telling them. But with this film I was able to show them. And another thing that's crazy is, especially in today's day and age with how we consume media, there's people literally.

On the Internet like, oh, I don't like Drake. I don't listen to Drake.

That's just how they feel, like, no matter what Drake does, they're not even going to listen to it or pay attention because they have a predisposed notion of whatever it is that they just don't like this person. Pretty Much, everybody's going to watch a movie, Like if you're into a specific type of a genre of movie, even if you don't like Brad Pitt, but some crazy movie comes out that everybody's talking about, you'll watch it and guess what, Even if you don't like him and he crushes it, you'll be like, yeah, he did good.

He did it.

Like it's a different space, and it's a visual space that I don't think I've ever been able to partake in.

And I'm glad I could.

Sorry, very long winded, but no, I'm on a journey of self discovery. So you're asking questions that are really making me think.

Man, tell me in an early specific happy childhood memory, going on.

An Easter egg hunt, with my mom. I was probably about three and a half.

Okay, what do you remember.

I remember walking in this park by our apartment complex, picking up Easter eggs by a creak, and then getting a turtle. I found a turtle and she let me bring it home because I was like, I have to bring this turtle home. And then I put it out on the balcony and the next day was gone and I think it jumped off. But now later in my life I realized I went to sleep, my mom said I'm gonna get this turtle now hear.

Yeah, crazy, I know it.

You had a difficult childhood, but you know there was some happy moments. What was it about all of your memories that you think that this one stands out?

I don't know. It's probably just more so the first one that came to mind.

You know, you said, give me a memory, and that that's one that popped out that was happy. Yeah, but there's not too many of those, if I'm being honest.

But play with me here a little bit, So like, what is it about that memory that that is happy, that makes you smile? I mean, I'm sure there were other happy things that you've forgotten.

Probably that for me personally. In that specific moment, there was no you know, screaming or yelling and money.

Issues or this or that or blah blah blah blah blah.

It's the fact that it's it's it's that it was a happy memory because they're so little man, so it's just the fact that that other shit wasn't happening in this specific memory. You know, it was just me and my mom. Another one is being under a weeping willow with my mom and eating eating lunch, having a little picnic, which is crazy.

I remember that.

Yeah, just by this lake in Montgomery Village on the way to Germantown in Maryland. But that's it, Like I have snapshots. I don't have like complete like and then we did this and went here like that doesn't exist.

Yeah, so interesting. So now tell me a memory, a very clear memory that I can relive with you as if we were telling as if I'm reliving a movie with you. Come up with a particularly difficult one.

Oh, here's a good one.

So when I was about four and a half, almost five, there was this these two kids, these these like little white kids that lived in the neighborhood, and they never wore shoes, which I thought was weird.

So this is actually going to go deep.

So they never wore shoes, and they'd always walk outside without shoes, and they would always try to convince me to take my shoes off, and I was like, no, I don't want to take off my shoes. Then there was this one day they were like, hey, Bob, we have a cigaret. Go ask your mom for a lighter. And I was like what, and they're like, yeah, tell your mom our mom needs a lighter because we told our mom your mom needs a cigarette.

And I was like okay. So I was like okay, so I get it.

And then we end up walking like through this these woods near the back of our apartment complex and we have to go through these thorn bushes and they end up crying and they start crying and they're crying because they don't have any shoes on, and me, I'm just like, fucking told you man, you know what I mean, Like, don't be walking outside with no shoes. And then we make it to this specific space with this other kid Ian and they start smoking the cigarette in the bush. Ian doesn't want to do it. He's like cartman, like I'm going home. So he goes home and they're like, come on, Bobby, do it, man, just do it. So I take a puff and he's like, no, you got to inhale it. And I'm like, bro, we're five years old. What do you know about this?

Right? So I'm like, okay, I do that. It's so disgusting.

Ian's mom tells all of our parents. My mom sits me down. She's like, I can't believe you were smoking.

Blah blah blah blah blah blah blah.

Right, this is a good memory. And so she sits me down with my stepfather who actually was killed by the police in prison or the guard's long story short whatever, that's a different situation, and he sits down. His name was Tony Bransford. Has these big ass fucking hands like cinder blocks. Right. He was French and black, so mixed guy, very very brown skinned, chocolate fellow. And he's had his voice to him, you know what I mean. She was like, you know what, Bobby, So you know that I'm not messing around. Tony's gonna take you in your room and give you a whooping. Don't you ever do this again.

So he takes me into the room and I'm crying already. I'm terrified. You know.

This guy is like the Kingpin from Spider Man. Like I'm like freaked out right.

And he comes in. He goes, damn it, Bobby, and he slams the door and he turns around and he.

Goes, Listen, when I was your age, my dad he used to beat up my brothers and sisters mom, and he would beat me up really really bad.

Now always promised that I'd never put my his own child.

And I was like okay, and he goes, but we gotta make your mom think I'm kicking your ass in here, okay, and he goes, so it so just pretend like I'm beating you.

So he's clapping and I'm.

Like, oh, sit, Tony, no stop, and he goes, good job, good job, Tony.

No please no oh, and he.

Goes, Okay, that's good, all right, and then he leaves and I'm still in there and I'm like, oh oh.

And he comes in and he goes shut out and shut the hell up. I can't be in here kicking your ass and out there at the same time. And I was like, oh okay. And it was one of the sweetest things that anybody's ever done for me.

That's beautiful. So what I find really interesting is you use the word terrified to describe the film. You use the word terrified to describe what you're going into with Tony. And both the sitting under the willow and and going egg hunting are not really fully complete memories. They are these little snapshots. But the only thing that the snapshots give you value is is there were moments when when life was okay, there was an interruption. You said, to the screaming, the yelling, the violence, And so I wonder if you know that this idea of facing terror and not in an aggressive way, but finding a way around and through it is part of this that you have a weird relationship with terror. The experience you have with Tony is not dissimilar to the experience you have on the film, which is absolute terror, but thanks to someone else, thanks to the guidance and support and advice of other people. Because you said that, you said, the best thing about the film is it wasn't just me, it was all these people will help help me get through this. Yeah, And to some degree, you've a little bit become Tony, which is you are sort of helping people face their fears in a way that they didn't expect. Like they're they're standing there petrified, and you're like, no, no no no no, no, no no no, I'm going to get you through this. And you look at some of your work, it kind of does that. It's kind of a helping hand, you're I just find that interesting.

I just think I like to help others because in many ways I didn't have anybody there for me.

You didn't, and you did.

There's moments though, you got to understand there was nobody that I could ever go to and talk to. There was nobody to guide me, like I never had a person there like in my life.

You know.

So they would be specs, you know of like like a good person would enter, but not for a season, barely for two days of a year, if you will. In this metaphor I'm trying to use like and I would, I would keep these little things from them. And so, you know, I've spent millions of dollars taking care of other people, you know, and supporting people and their family and this and that and all that other stuff, and that's great, but.

I find myself at a very selfish.

Point in my life in a good way, like in a good way where I'm really just focused on me and my family and you know, just trying to figure shit out because I don't know at all.

I appreciate I appreciate your sense of discovery. The other thing you talked about before, which I was drawn to, what was the term you use, invasive creativity?

Yeah.

I think I suffer from invasive creativity as well, because it's not because I'll lie awake at night, I'll get three hours or four hours of sleep, and people like, why couldn't you sleep? I'm like, oh, my mind wouldn't turn off. Or I woke up in the middle of the night to pee and then like the mind starts up again, you know, and I couldn't. I couldn't turn it off. And it's not bad. I'm not depressed, but rather it's like a pinball machine of ideas and I don't want them right now.

It's intrusive thoughts as well, you know, I really don't think.

But who doesn't have intrusive thoughts?

No, exactly, Our minds wonder.

We think about things we don't want to think about, you know, we replay the events of the day, We create false narratives about people or about ourselves. Like it's all intrusive, isn't it exactly?

I think the thoughts that become conscious are the ones that we grab on and then either obsess over or kind of begin to dig into. So any thought, right that plops into your head, is it really yours?

You know what I'm saying.

It's like when when when the apple fell on Benjamin Franklin's.

Head or whoever the hell it was, like Isaac.

Newton, Yeah, Benjamin Franklin was the one with the electricity.

Yeah, yeah, well one of them motherfuckers anyway, So that's like, you know, it's like it.

Is it really like, oh, man, an apple hit me?

And then then and it's like maybe, yeah, sure, but it's like that thought hit him.

And that's how I feel all of our thoughts are.

They're like like apple's falling and then it's up to us to take it. You know, think about how many great ideas you probably forgot.

You know, so many times I wake up.

In the middle of the night, I have gnarly dreams and I'll like wake up from the most intense, vivid I know every detail, and I go pee and then I come back in bed and completely forgot it. So it's like, think about how many things that enter our mind almost unconsciously that we don't actually grab onto. It's a gnarly thing, but creatively that's how my mind works. But it'll be like, oh, okay, I'm at a gas station, Like what if this guy like took out a gun and then I, like John Wick like flipped around and then took the gun and like shot him in the foot, and then we got this crazy fight that I like stabbed it with a pen and then I'm like, well, what the what the hell? And I'm just trying to buy a can of coke. I'm like, where the hell did there?

Was it? What was it? But it's like then I'm like, that'd be kind of crazy.

I should write that down and put it in a book, you know, or do this or that or whatever the case.

Maybe do you do you carry a notebook? Do you write things down my app?

Like, yeah, I just do notes.

It's in my phone. You do constantly. It's filled up with random nonsense, bro.

Of like tens of thousands of notes, like excided a joke.

One of the things that I think that I wish more people would do because I agree with you. We a lot of us. We're all creative in some way, shape or form, and we forget more ideas than we can remember. Is to carry a device or a notebook at all times and write them down. And the thing is they don't have to go even go back and read them. Sometimes the act of writing it down reinforces it and makes it play a role later on the number of times I've gone back and read my notebooks. I carry a notebook in my back pocket, the number of times I've gone back and read my notebooks, and I realized that the thoughts have reoccurred in other shapes and forms, and I'm not sure they would I didn't write it down.

That's really cool. Yeah, no, I love it, man, It's a wonderful thing. Like I'm sitting on at least twenty script ideas for a film. I'm sitting on, you know, like three or four fully fleshed out films. Yeah that aren't in script form yet. You know, I'll come up with ideas for lines.

You know, I could even go through my shit right now, What do I got.

Let's see, I have so many notes, It's it's like actually ridiculous let's go into lines. So I have different lines that I'll just come up with right here, my lyrics make people third month. So I guess that's a line that I ended up coming up with that turned into something else. Here.

Let me see, give me, give me one moment. I'll explain.

Yeah, this is a this is actually one of my favorite lines I've ever written, engaging in bullshit. I want no parts rapping in my genes, ain't no starch. I could rhyme without rhyming and still make the people third month. So march right, you know what I mean, which is cool. And then I go fifth month. I continue to ensue cut you, like insue you don't know the shit that I've been through. So that's like, may I continue just these little little line and I'll write those.

I'll go on and on and on.

Some of them live, some of them don't. Let me just see if there's any one of them. We give them one more let's see. Oh damn, these are like coole things. Uh, here's one.

I stay with a pocket of duck mouths. That's fire bills.

Like basically I got gout, you know, just some wrapping braggadocia shit.

But I stay with a pocket of duck mouths. That's pretty cool.

I'm right, it's like reverse rhyming slang.

Yeah, it's fun.

We'll be right back. You are very inspiring. I have to say, you know, this is the first time you and I have met.

You're inspiring, dude. You just had me rethinking what it means between purpose and.

Goals and shit. I'm like, yo, this is you know. That's one thing. Not to interrupt. I apologize, but like, man, do I love learning? So thank you because meeting people like you is very special. Well, I am a student. I don't know at all what I do know. I'll be quick to let you know I know it. But you got a lot of really wonderful gems. So I just wanted to say thank you man, because.

I'm all ears, I'm hearing you.

Due thank you. I appreciate that you touched upon something that my favorite leaders say. All my favorite leaders, they all say, look trying to figure it out. They all say, you know, I'm not sure we're getting this entirely right. They all say, you know, I've done things like this before, but this is the biggest thing. I don't know. I'm not one hundred percent sure it's confident self doubt, you know, which is it? And I think people confuse uncertainty and doubt with lack of confidence, and they don't go together, you know. I think week leaders say, oh, I don't know what I'm doing. This is the first time I've ever done anything like this. I don't even know where to begin. And the great leader the ones whore like, look, I don't even know what I'm doing. I'm figuring this out as I go along, and you get a sense of like self confidence and doubt go together really really well. And where it gets bad is when we have a if they tell everybody how great they're at everything, it'll make them feel better. But the opposite is true, which is owning doubt and having confidence and doubt and having confidence and lack of knowing is incredibly empowering. And the more that I've owned my stupidity, I know.

That i'd call it stu pity. I think I call it ignorance. Big difference.

Well, okay, you're the most ignorance. Some of its stupidity, you know. Like I remember when I was younger, I got those things confused regularly, where I had to prove how smart I was so that people would take me seriously, and just probably I got lucky that some people saw pass that nonsense and were able to dig a little deeper.

That's just being young, we all, that's just being young.

But I think one of the things that a little bit of experience, in a little bit of age provides is the incredible power that comes from owning ignorance and taking pride in your ignorance, and being fascinated and curious in your own ignorance because you ask more questions and you're more curious, and and I just I just love that. I'll give you a funny story please, that sort of captures the value of ignorance. I did this little challenge that somebody challenged me to, and I can challenge anybody who's listening to the same challenge because it's more difficult than you think, which is, don't tell a single lie, absolutely zero lies for the next forty eight hours. Everybody thinks they're super honest until you take this test. Right Like, but Dan, we're talking.

Like like like like your auntie is like, how do I look in this dress? And she kind of you know, she might be oh shit, so you gotta be like, damn girl, you leg fuck.

Let's not confuse honesty with meanness. Okay, but so we say white lies are okay, you wouldn't say you look fat in that dress. You'd be like, I like the other dress on you better. But she only showing you to one dress, Auntie. I think I think that there are other things that would suit you better.

Okay, right right.

You don't have to be mean to be honest this. You just to be honest. To be honest, you just have to tell the truth. And so yeah, every little white light like we all do it. You know, you're sitting in a restaurant having a meal and you're complaining to your friend that this meal is cold, this meal is salty, and the and then the server comes over as everything and everybody looks up and goes, yeah's fine, everything'sod.

Yeahs fine. Lies.

Absolute lies. That's some sidefeld shit right there. That's absolute lies. And so now I don't like make a point to go out of my way to complain about food unless it's like really really really inedible. Yeah, but if if it's just a little bit like annoying, you know, and a server comes over here is how is everything? I'm like, uh, Okay, if I'm honest, it's a little salty.

You know.

I wasn't going to tell you, but you asked, because that's the deal I've made, right anyway, But I digress. I took this challenge from someone not to tell a single lie for forty eight hours.

Try it.

It is incredibly difficult. You don't realize how many stupid, little white lies we tell on a regular basis. And I happened to have this meeting coincidentally within this forty eight hour period where I was in. I went to Washington and I had a meeting with the head speech right for a senior member of government right flex. And the speechwriter comes in and she sits down, and the first question she asked me is how much research have you done on the Congressman. Now, on any other day, I would have said a little just to save face, just to not look like a freakin' moron, ill prepared and unprepared for my meeting. Right, she asked me the question. I literally went to my I thought to myself, shit, you know, because I'm promised not to tell a lie. So she goes, how much research have you done on the congressman? And I said none? And she said, okay, let me tell you. Then she wasn't testing me. She was finding out what my baseline was, and depending on my baseline, then she would explain everything that I needed to note. If I had lied and said a little, she wouldn't have told me as much. But she told me everything I needed to know. Now it went well in that period. In that particular, it could have been humiliating. She could have said, you came for this meeting without doing any research, What the hell were you thinking? That could have happened, But I learned that telling the uncomfortable truths more often than not. Sometimes they humiliated me, but more often than not, I got more information than I would have if I had, if I had told a white lie to save face and protect my ego. And this is where I think I started to learn confident, confident doubt, or confident ignorance. I kind of like, kind of like that term confident ignorance.

Confident ignorance is awesome confidence, not to be mistaken with arrogance, which some people will try to.

Throw on you and you fuck them.

But an ignorance not to be confused with lack of intelligence, with lack of self esteem or self worth or stupidity. Yeah, yeah, ignorance just means I don't know.

When I was young, you know, I people would talk to me about movies like older people, not old or older, but like when I'm a teenager and they're like they're new yeah, and they're like, you know, or even other kids, you know, like oh, man, yo, you you heard a new song blah blah blah blah blah blah blah. You know when they said these lyrics, and I'd be like, yeah, yeah, yeah, because if you go no, I haven't heard it, they'd be like, what you ain't heard that, oh man, Like or Yo, you've seen that movie. No, oh you ain't seen that movie. Like they kind of make you feel a certain way. And I think that's that's mainly people looking for power, looking for their own sense of self worth of like, oh, I know this thing you don't know. But I think a great teacher is excited to find out that you don't know something so that they can tell you. And and also I think it takes a great student to be honest and say something when they don't know so I can't tell you. And I'm talking idols, like I'll be around like I'm having a drink at Seth MacFarlane's house and.

He's like, let me tell you.

You know, you know you know that song by Billie Holiday, right, and he's like, you know the one, the little jingle that goes da da da d d h whatever.

And I'm like nah, and he's like really and then.

He'll tell me about it, you know, and like that's exciting, That's what's exactly. And even going to my film, like, yeah, I was terrified. Like I remember sitting down with my my first D a D assistant director, my like right hand right. His name's Kevin Brown, fantastic guy.

There's that word again, by the way, terrified.

Just one, and we were in I was thinking about doing an album called Terrified, full of like a bunch of types of music that I've like never done before because it really scares me anyway.

So so I remember we're like days away from filming and we're doing shot listing.

I'm doing that with my my my DP Kevin Fletcher all this other stuff, and I asked KB, I say, how do you shoot a scene?

Like yo, I'm the director, dog, like you know what I'm saying, And he just looks at me. And he's like, well, let me show you.

And he just takes out paper and he's like, okay, you got your person here, at the person here, and you do over the shoulder covers here, and this and that, you at your wide.

That's pretty much it. And I was like, oh, okay, cool, but this is but.

There's an important new ones here. Right. You did say how do you shoot a scene? Yeah?

You're ready?

Right, Because then he's like, what am I doing here? Right? You just went, hey, how do you shoot a scene? And there's that confident ignorance again. Right. And by the way, for those who want to practice confident ignorance, there's two ways you can dip your toe into it. When somebody says have you heard these lyrics? You can say not yet. I add the word yet sometimes. And the other one I when they say, yo, if you heard these lyrics, I'll say, tell me, because now I'm empowering them to give me something that I don't know. So they still get to have the power dynamic if they want it. But I don't feel stupid.

I love that.

Tell me another thing, confident ignorance. I really love this.

Let me tell you the story. So I am about to do this film right.

And I was talking to my producers Liz Deshtro and Jordan Mouncey anto muse to badass women. I was going to go with this different director, a dear friend of mine, and we ended up couldn't being able. We weren't able to do it, and they were going to say, Bob, we were going to tell you that you needed to do it anyway, and I was like, what, No, we need to find somebody else.

And they're like, no, Bob, like you have to direct this. And I was like, what do you mean why?

And they're like, because honestly, you see every page, you know every piece of dialogue, you have the vision for it.

And in my mind, I was like, I've never directed in my life.

And I was very honest with them. I was like, yo, I can act, I can write. I was like, I don't know that I can direct. I've never done it. And they were like, Bob, trust us, we would not put you in a position. You're spending millions of dollars. You're not going to fail. You can do this.

And I was like, I if you really think I could do it, all right, fucking I'll do it.

And then as soon as I got into pre production, all I realized directing is truly.

Is just having vision.

And I've been like, yo, I've been directing for fifteen years in the studio with people, telling people, taking what's in my head, talking to someone who can destroy the guitar and going okay, you know when you go boom boom boom boom boom, can you actually go boom boom boom boom differently.

And kind of slide it?

And they're like, oh, yeah, you want me to take the eighth note the down bubba blah, And they're like saying all this jargon. I'm like, yeah, I don't know what the hell you just said, but if you can give me what I just asked for, then we can do that. And it's about it, you know, bringing in these people that are masters of their own craft.

Like I tried. I'm not a dancer, but I tried my hand to choreography cause I like watching dance and I know what's good and I know what's bad.

I just got to know, now, what kind of dance was it.

This is modern dance. Modern dance so like jazz hand vibes, No, that's like jazz.

This is Modell's modern dance. Okay, I'll take you.

To a performance one day and I'll show you.

Let's do that.

You can google Peanut Bouche or Anna Teresa on kiirzmacher ce Ma, you just.

Sound smart, making me feel like damn.

I'm like, no, that's just I know. You can say the names of people that you like in the arts that you like and you'll make you'll sound smarter than me. It's just it's I like dance.

I love it. Okay, please continue.

So anyway, I decided to Tammy strona act. She's pretty awesome. Anyway, I decided to try choreography because I know it's good and I know it's bad, but I have no facility or technical capability whatsoever. So I did what you did. I cheated. I hired two dancers who are really really good, and I said, this is what I imagine. Can you make it?

Do that?

And they did something. I went no, no, no, no that I lift your arm higher. This is what this is the thing. And then I came up with the scene. I was like, so this is the emotion that I'm trying to do. It's like this, and I explained the emotion. I explained the relationship between the couple, and they heard it and they got it, and within a few minutes we choreographed a very simple but really good, little short little piece that was visually incredibly a and the greatest compliment I got was they liked it too.

Oh wow, that's us.

And to your point, I have no facility. I can't tell them technically what to do. I just know it when i'll see it. And I think to your point about vision, which is vision lives in our imagination and I can see it, but nobody else can see it. But if I can take words on a page, movements from a dancer, or visuals on a painting, and somebody can help me do the thing until it matches the thing that I can see, then then I think I've created something worth creating. But I think many of us hold ourselves back because we have the vision, but we don't have the facility, so we just don't do it.

When you say facility, what do you mean?

Like you said, like the guitarist is like, oh, I'll move my B seven to this, and you're like, like, you don't have the technical understanding of the chords of the guitar. You just need it to go. You just needed to do that slide. And over the years you've learned some of those technical turns and you've learned what they mean, and so you can talk and short when you understand the technical terms, it's a little more efficient because you can talk in shorthand, like, I need your language. I need to move the slide from B seven to BE five. I was like, God, I'll do it. But the point is is that's just language. That's just vocabulary that helps you operate more efficiently. But if somebody hasn't taught you the technical stuff, if you don't have the technical ability, it doesn't mean you can't create. As long as you can see something that you want created, somebody else can help you make it if you ask for help.

Yeah.

But that's what was fun working with my DP because he was like, he literally said to me, just like these dancers said to you. He goes, I've worked with a lot of directors in my fifty six years, and he goes, I've never worked with someone who had as much vision as you. And when he said that to me, it like almost made me want to cry because I was like, WHOA. And what I'm really realizing is is I work in a very like avant garde kind of obtuse manner, you know what I mean, where it's like I don't give a shit what the studio does.

I don't care what they say. This, this, this, I'm just like, man, this is what I'm doing.

This is how I do, and I think people find it refreshing. You know what I mean that honesty because I'm gonna be a thousand with you. Man, I think it might be fun to take that no lie challenge, but i'd be hella honest. I might not be honest about somebody hairline, you know what.

I mean, or something like that if they're well, well, look, no lies means doesn't mean only a few lies when it suits you. Again, you can be honest without being mean. But you should take the challenge. But the going back to what you just said, I think what that director is responding to is and I love that term again, which is the confident ignorance, which is what you expressed was confident ignorance, and so he got to use what he had because you expressed the fact that you didn't know and you needed his help. And that's what made a team, which is I you have vision that he doesn't have, and he has capacity to help your vision come to life. And your confident ignorance made him valuable and made him great versus other directors who probably don't have vision, but they want to show that they're as good a DP as the DP you know, which is not confident ignorance. It's just over confidence.

It's really just ego because now you're just fucking up the film, you know what I mean?

Like, I think confident ignorance is such a magical thing.

Confident ignorance and invasive creativity.

I love it. Invasive creativity, I would argue, is the Pejarati the is the downside? Is the bad side of it?

But is it?

No?

But is it because it's those intrusive thoughts that keep us up at night?

But is it?

Or is that our super powd? And it's like I love my pinball brain. People like, what's it like to be in your brain? I'm most like I ever play pinball. I love my brain. My brain is the source of creativity, but it's also the source of sleepless nights occasionally, and like sometimes sometimes I would like to turn it off. Mine's because I hate it. I just want to go to sleep.

What are those things where all the flights are on? What is it called? You go into airport and it's.

Like, oh yeah, that flipboard. It's called the flipboard.

That's what my head's like. That's what comes to mind. Vision.

That's a good one.

Yeah, Hey, Bobby, I could talk to you for I could talk to you forever. But yes, I get it.

Well, no, if we keep talking, we have to rebrandon and make it us completely separate podcast.

I was about to say that, man to hit me up, what's up? I'll do that all day fun. It is money that I was good.

Thanks for just being so open and so confidently ignorant. It's such a magical thing.

That's such a cool thing. I think I want to start saying that. Thank you for having me on this show. I had a wonderful time. You're very cool and nice. And shout out everybody behind the scenes that's helping you out. Thank you to everybody listening who stayed and wanted to hear little old Me's story. Appreciate it and hopefully you'll have me back. And I'm here anytime you need it. You need a glass of milk and a bar some sugar, I got you.

Thank you man, I appreciate it. Likewise the feelings of mutual All right, cool piece out. If you enjoyed this podcast would like to hear more, please subscribe wherever you like to listen to podcasts, and if you'd like even more optimism, check out my website Simon Sinek dot com for classes, videos and more. Until then, take care of yourself, take care of each other. A Bit of Optimism is a production of The Optimism Company. It's produced and edited by David Jah and Greg Reiderschan and Henrietta Conrad is our executive producer.