Feisty WhatsApp messages, a missing bass player, a showdown and another grueling overseas tour.

A band meeting in early January puts the work ahead in perspective.

Then before the month’s out they’re off to tour Europe.

Mixing the tracks, Brendon and Sam still can’t get their ideas to match up.

But labels and the band want the album done.

By April Brendon walks out of Crystal Mastering in Thornbury with the finished album on a CD.

 

More about 180 Grams at Mushroom.com/podcast/180Grams

If you're listening on Apple Podcasts we'd love you to leave a review.

 

Contact: podcasts@mushroomgroup.com

 

180 Grams is a production of the Mushroom Group

The show's title, 180 grams, comes from the weight of a collector-edition vinyl record. 

Something special, to keep, to listen to and hopefully appreciate more than once.

 

Guests on this episode
The Teskey Brothers; Liam Gough, Josh Teskey, Sam Teskey and Brendon Love
Jeremy Furze & Al Parkinson, Applejack Management
Joe Carra, mastering engineer, Crystal Mastering
Paul Butler, producer of Run Home Slow
Soren Maryasin, assistant engineer, Run Home Slow

 

More about The Teskey Brothers

Run Home Slow - Buy/Listen

theteskeybrothers.com

Twitter

Facebook

Instagram

YouTube

Spotify

 

180 Grams Production Team

Host: Mikey Cahill

Scripting: Mikey Cahill & Courtney Carthy

Producer & editor: Courtney Carthy

Marketing: Lukas Setyadi, Lauren McCully & Tom Connellan

Media: Dan Baker & Loz Grice

Web development and design: MCH

Executive producer: Matt Gudinski, the Mushroom Group

 

Music used in the episode is approved by Applejack Music and The Teskey Brothers, in consultation with Ivy League Records, Universal Music and Glassnote Records.

Feisty WhatsApp messages, a missing bass player, a showdown and another grueling overseas tour.
A band meeting in early January puts the work ahead in perspective.
Then before the month&rsquo;s out they&rsquo;re off to tour Europe.
Mixing the tracks, Brendon and Sam still can&rsquo;t get their ideas to match up.
But labels and the band want the album done.
By April Brendon walks out of <a href="https://crystalmastering.com.au/engineers/joseph-carra/">Crystal Masterin</a>g in Thornbury with the finished album on a CD.
&nbsp;
More about 180 Grams at <a href="http://www.Mushroom.com/podcast/180Grams">Mushroom.com/podcast/180Grams</a>
If you're listening on <a href="https://podcasts.apple.com/au/podcast/180-grams/id1518295373">Apple Podcasts we'd love you to leave a review</a>.
&nbsp;
Contact: <a href="mailto:podcasts@mushroomgroup.com">podcasts@mushroomgroup.com</a>
&nbsp;
180 Grams is a production of the Mushroom Group
The show's title, 180 grams, comes from the weight of a collector-edition vinyl record.&nbsp;
Something special, to keep, to listen to and hopefully appreciate more than once.
&nbsp;
Guests on this episode
<ul>
<li><a href="http://www.theteskeybrothers.com/">The Teskey Brothers</a>; Liam Gough, Josh Teskey, Sam Teskey and Brendon Love</li>
<li>Jeremy Furze &amp; Al Parkinson, <a href="https://www.applejackmusic.com/">Applejack Management</a></li>
<li>Joe Carra, mastering engineer, <a href="https://crystalmastering.com.au/engineers/joseph-carra/">Crystal Mastering</a></li>
<li>Paul Butler, producer of Run Home Slow</li>
<li>Soren Maryasin, assistant engineer, Run Home Slow</li>
</ul>
&nbsp;
More about The Teskey Brothers
<a href="http://smarturl.it/runhomeslow">Run Home Slow - Buy/Listen</a>
<a href="http://www.theteskeybrothers.com/">theteskeybrothers.com</a>
<a href="https://twitter.com/teskeybrothers">Twitter</a>
<a href="https://www.facebook.com/theteskeybrothers">Facebook</a>
<a href="https://www.instagram.com/theteskeybrothers/">Instagram</a>
<a href="https://www.youtube.com/channel/UCpHZ4yRpTYMbSz_j1Gj4ImA">YouTube</a>
<a href="https://open.spotify.com/artist/2nTjd2lNo1GVEfXM3bCnsh">Spotify</a>
&nbsp;
180 Grams Production Team
Host: Mikey Cahill
Scripting: Mikey Cahill &amp; Courtney Carthy
Producer &amp; editor: Courtney Carthy
Marketing: Lukas Setyadi, Lauren McCully &amp; Tom Connellan
Media: Dan Baker &amp; Loz Grice
Web development and design: <a href="http://www.mushroomcreative.com">MCH</a>
Executive producer: Matt Gudinski, the Mushroom Group
&nbsp;
Music used in the episode is approved by Applejack Music and The Teskey Brothers, in consultation with Ivy League Records, Universal Music and Glassnote Records.

180 Grams: the stories behind remarkable albums. 

180 Grams? The weight of a collector's edition vinyl record.

We'll take you right into the process of albums you love, as told by the key players.

The studio bickering, main stage triumphs, tense late night phone calls and sold out launches.

It's an Access All Areas listening experience that pulls apart how records are conceived, born and grow up in public, from the early demos to the risky creative decisions right up to the finished product. 

You'll hear fresh stories from the bands, managers, label big wigs and small wigs, booking agents, icons, all eager to talk about their part in a modern classic.

180 Grams will help you hear albums in a new light, beamed into your brain from a different angle with a deeper perspective and juicy, often spicy insights.

Hosted by Mikey Cahill, music and culture journalist.

180 Grams: the stories behind remarkable albums. 
180 Grams? The weight of a collector's edition vinyl record.
We'll take you right into the process of albums you love, as told by the key players.
The studio bickering, main stage triumphs, tense late night phone calls and sold out launches.
It's an Access All Areas listening experience that pulls apart how records are conceived, born and grow up in public, from the early demos to the risky creative decisions right up to the finished product.&nbsp;
You'll hear fresh stories from the bands, managers, label big wigs and small wigs, booking agents, icons, all eager to talk about their part in a modern classic.
180 Grams will help you hear albums in a new light, beamed into your brain from a different angle with a deeper perspective and juicy, often spicy insights.
Hosted by Mikey Cahill, music and culture journalist.

180 Grams

An album captures an artist or band in a room with a multitude of distinct personalities all pursuing the same goal: making a new piece of art they can be proud of.  

In a world where so much is laid out for us is there a more nervous and giddy feeling than playing a new album by an artist you love?

The word album has a more obvious etymology than you may think. 

In the early 20th century recorded music was released in a format of 78 Revolutions Per Minute (RPM) Bakelite records containing only a few minutes of music on each side. 

The big black discs were sold in a cardboard album and placed in individual sleeves like the pages of, yep, a photo album.

Fast forward to 1948 and record company Colombia combined business smarts, technological innovation and marketing strategies to popularize the Long Playing Microgroove format or LP as we now know it. 

This changed everything, allowing a longer and more immersive experience for music fans, 17 minutes each side which fit in 90% of symphonies. Classic.

British author Travis Elborough describes the change eloquently: "The album was welded in our collective consciousness".

Developments in the world of vinyl production lead to a warmer, richer sound favoured by audiophiles. Those in the know will tell you the best quality vinyl weigh 180 Grams. 

Most albums weigh 120 or 140 grams but 180 grams vinyl is sturdier, more durable and will last longer without warping.

Like the stories in this show.

An album captures an artist or band in a room with a multitude of distinct personalities all pursuing the same goal: making a new piece of art they can be proud of.&nbsp;&nbsp;
In a world where so much is laid out for us is there a more nervous and giddy feeling than playing a new album by an artist you love?
The word album has a more obvious etymology than you may think.&nbsp;
In the early 20th century recorded music was released in a format of 78 Revolutions Per Minute (RPM) Bakelite records containing only a few minutes of music on each side.&nbsp;
The big black discs were sold in a cardboard album and placed in individual sleeves like the pages of, yep, a photo album.
Fast forward to 1948 and record company Colombia combined business smarts, technological innovation and marketing strategies to popularize the Long Playing Microgroove format or LP as we now know it.&nbsp;
This changed everything, allowing a longer and more immersive experience for music fans, 17 minutes each side which fit in 90% of symphonies. Classic.
British author Travis Elborough describes the change eloquently: "The album was welded in our collective consciousness".
Developments in the world of vinyl production lead to a warmer, richer sound favoured by audiophiles. Those in the know will tell you the best quality vinyl weigh 180 Grams.&nbsp;
Most albums weigh 120 or 140 grams but 180 grams vinyl is sturdier, more durable and will last longer without warping.
Like the stories in this show.

The band needs to figure out how to finish the album.

4. Silence… but everyone was yelling 🎛️

Subscribe/follow/listen to Some of My Best Work, where artists and creators tell the stories of work they see as some of their best.

Available on Apple Podcasts, Spotify, Google Podcasts or wherever your reading this.

Hosted by music and culture journalist Jane Rocca.

Season 1 features Mansionair, Jack River, The Teskey Brothers, Gordi, Adalita, Alex Gow and more.

Check out - mushroom.com/podcast/someofmybestwork/

Subscribe/follow/listen to Some of My Best Work, where artists and creators tell the stories of work they see as some of their best.
Available on Apple Podcasts, Spotify, Google Podcasts or wherever your reading this.
Hosted by music and culture <a href="https://www.instagram.com/janerocca_/">journalist Jane Rocca</a>.
Season 1 features Mansionair, Jack River, The Teskey Brothers, Gordi, Adalita, Alex Gow and more.
Check out - <a href="https://mushroom.com/podcast/someofmybestwork/">mushroom.com/podcast/someofmybestwork/</a>

Check out 'Some of My Best Work'

The weekly music culture podcast hosted by Mikey Cahill, you know him from 180 Grams already, Sosefina Fuamoli and Marcus Teague.

Subscribe / Follow / Listen where you get your podcasts

Available on Apple Podcasts, Spotify, Google Podcasts and all other podcast apps.

More info on Mushroom.com

 

Hit Different is show for fans of music, not just a genre.

Weekly stories from music culture in Australia and around the world.

Get familiar with the hosts, some of Australia’s best music journalists – Mikey Cahill, Sosefina Fuamoli and Marcus Teague.

Every episode we’re joined by a guest co-host or special correspondent from the music world.

Think of it as current affairs for music culture.

 

Hit Different Hosts

Mikey Cahill - Instagram / Twitter / Facebook / mikeycahill.com

He works primarily as a journalist and presenter and moonlights as DJ Joey Lightbulb.

Cahill’s been at it for 22 years for The Age, NME Australia, News Corp, Resident Advisor, Time Out, Beat and themusic.com.au.

 

Sosefina Fuamoli - Instagram / Twitter / sosefinafuamoli.com

Music writer and content producer based in Melbourne, Australia.

Over the last decade, she has profiled artists and music festivals in the United States, Europe and the UK. Her work in Australia has been featured in publications like Rolling Stone Australia, triple j, Red Bull Music, NME, the AU review, The Big Issue, Time Out, Music Feeds and Stella Magazine.

 

Marcus Teague - Twitter / The Guardian / Bandcamp

He's been writing about music and culture for 15 years.

Marcus co-founded influential Australian music magazine Mess+Noise, and was a founding editor of Fairfax’s TheVine.com.au. His work has appeared in The Guardian, Rolling Stone, The Age, Broadsheet, The Big Issue, triple j and more.

The weekly music culture podcast hosted by Mikey Cahill, you know him from 180 Grams&nbsp;already, Sosefina Fuamoli and Marcus Teague.
<a href="https://podfollow.com/hit-different">Subscribe / Follow / Listen</a> where you get your podcasts
Available on <a href="https://podcasts.apple.com/au/podcast/hit-different/id1566292569">Apple Podcasts</a>, <a href="https://open.spotify.com/show/0z8P6utHrOqB9r1UmZ7oac">Spotify</a>, <a href="https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cub21ueWNvbnRlbnQuY29tL2QvcGxheWxpc3QvYjE5Y2Y0MDgtYzMxYS00YTJjLTg5M2EtYWJkNzAwNWE3NjA1L2JhYjMwZTVmLWU4OTUtNDliMS05ZmZkLWFkMTEwMDRjNTQ2Ni8zNzljZTBlOC1iOWQ1LTQzZTctYTkwYi1hZDExMDA1MDJjODIvcG9kY2FzdC5yc3M%3d">Google Podcasts</a> and all <a href="https://mushroom.com/podcast/hit-different/">other podcast apps</a>.
More info on <a href="https://mushroom.com/podcast/hit-different/">Mushroom.com</a>
&nbsp;
Hit Different is show for fans of music, not just a genre.
Weekly stories from music culture in Australia and around the world.
Get familiar with the hosts, some of Australia&rsquo;s best music journalists &ndash; Mikey Cahill, Sosefina Fuamoli and Marcus Teague.
Every episode we&rsquo;re joined by a guest co-host or special correspondent from the music world.
Think of it as current affairs for music culture.
&nbsp;
Hit Different Hosts
Mikey Cahill -&nbsp;<a href="http://www.instagram.com/joeylightbulb">Instagram</a> /&nbsp;<a href="http://www.twitter.com/joeylightbulb">Twitter</a> /&nbsp;<a href="http://www.facebook.com/michael.cahill.359">Facebook</a> /&nbsp;<a href="http://www.mikeycahill.com/">mikeycahill.com</a>
He works primarily as a journalist and presenter and moonlights as DJ Joey Lightbulb.
Cahill&rsquo;s been at it for 22 years for The Age, NME Australia, News Corp, Resident Advisor, Time Out, Beat and themusic.com.au.
&nbsp;
Sosefina Fuamoli -&nbsp;<a href="http://www.instagram.com/sosefuamoli">Instagram</a> /&nbsp;<a href="http://www.twitter.com/Sose_Carter">Twitter</a> /&nbsp;<a href="http://www.sosefinafuamoli.com/">sosefinafuamoli.com</a>
Music writer and content producer based in Melbourne, Australia.
Over the last decade, she has profiled artists and music festivals in the United States, Europe and the UK. Her work in Australia has been featured in publications like Rolling Stone Australia, triple j, Red Bull Music, NME, the AU review, The Big Issue, Time Out, Music Feeds and Stella Magazine.
&nbsp;
Marcus Teague - <a href="https://twitter.com/MarcusTeague">Twitter</a> / <a href="https://www.theguardian.com/profile/marcus-teague">The Guardian</a> / <a href="https://singletwin.bandcamp.com/album/marcus-teague">Bandcamp</a>
He's been writing about music and culture for 15 years.
Marcus co-founded influential Australian music magazine Mess+Noise, and was a founding editor of Fairfax&rsquo;s TheVine.com.au. His work has appeared in The Guardian, Rolling Stone, The Age, Broadsheet, The Big Issue, triple j and more.

Subscribe to our new show "Hit Different"!

Introducing 'Hit Different' to you!

Jeremy gets her on the phone and just says “What?!”

“Oh, my God, what's wrong?” said Al Parkinson.

“There's a Grammy nomination for The Teskey Brothers. Sam's been nominated for a Grammy!”

A bloody Grammy! Best engineered album - non-classical.

Along with producer Paul Butler and mastering engineer Joe Carra.

What's it like to go to a Grammy ceremony?

Find out on this fish-out-of-water bonus episode.

 

ARTICLE: Nominated for a Grammy! Let's get to LA.

More about 180 Grams and The Teskey Brothers here

 

And leave a review or tell a friend about the show.

 

Contact: podcasts@mushroomgroup.com

180 Grams is a production of the Mushroom Group

The show's title, 180 grams, comes from the weight of a collector-edition vinyl record. 

Something special, to keep, to listen to and hopefully appreciate more than once.

 

180 Grams Production Team

Host: Mikey Cahill

Scripting: Mikey Cahill & Courtney Carthy

Producer & editor: Courtney Carthy

Marketing: Lukas Setyadi, Lauren McCully & Tom Connellan

Media: Dan Baker & Loz Grice

Web development and design: MCH

Executive producer: Matt Gudinski, the Mushroom Group

 

More about The Teskey Brothers

Run Home Slow - Buy/Listen

theteskeybrothers.com

Twitter

Facebook

Instagram

YouTube

Spotify

 

Music used in the episode is approved by Applejack Music and The Teskey Brothers, in consultation with Ivy League Records, Universal Music and Glassnote Records.

Jeremy gets her on the phone and just says &ldquo;What?!&rdquo;
&ldquo;Oh, my God, what's wrong?&rdquo; said Al Parkinson.
&ldquo;There's a Grammy nomination for The Teskey Brothers. Sam's been nominated for a Grammy!&rdquo;
A bloody Grammy! Best engineered album - non-classical.
Along with producer Paul Butler and mastering engineer Joe Carra.
What's it like to go to a Grammy ceremony?
Find out on this fish-out-of-water bonus episode.
&nbsp;
<a href="https://mushroom.com/episodes/grammy-nomination-for-run-home-slow-2020/">ARTICLE: Nominated for a Grammy! Let's get to LA.</a>
<a href="https://mushroom.com/podcast/180grams/">More about 180 Grams and The Teskey Brothers here</a>
&nbsp;
And leave a review or tell a friend about the show.
&nbsp;
Contact: <a href="mailto:podcasts@mushroomgroup.com">podcasts@mushroomgroup.com</a>
180 Grams is a production of the Mushroom Group
The show's title, 180 grams, comes from the weight of a collector-edition vinyl record.&nbsp;
Something special, to keep, to listen to and hopefully appreciate more than once.
&nbsp;
180 Grams Production Team
Host: Mikey Cahill
Scripting: Mikey Cahill &amp; Courtney Carthy
Producer &amp; editor: Courtney Carthy
Marketing: Lukas Setyadi, Lauren McCully &amp; Tom Connellan
Media: Dan Baker &amp; Loz Grice
Web development and design: <a href="http://www.mushroomcreative.com">MCH</a>
Executive producer: Matt Gudinski, the Mushroom Group
&nbsp;
More about The Teskey Brothers
<a href="http://smarturl.it/runhomeslow">Run Home Slow - Buy/Listen</a>
<a href="http://www.theteskeybrothers.com/">theteskeybrothers.com</a>
<a href="https://twitter.com/teskeybrothers">Twitter</a>
<a href="https://www.facebook.com/theteskeybrothers">Facebook</a>
<a href="https://www.instagram.com/theteskeybrothers/">Instagram</a>
<a href="https://www.youtube.com/channel/UCpHZ4yRpTYMbSz_j1Gj4ImA">YouTube</a>
<a href="https://open.spotify.com/artist/2nTjd2lNo1GVEfXM3bCnsh">Spotify</a>
&nbsp;
Music used in the episode is approved by Applejack Music and The Teskey Brothers, in consultation with Ivy League Records, Universal Music and Glassnote Records.

“And I just sort of held the phone for a minute to digest that.” Jeremy Furze, manager of The Teskey Brothers

4. Silence… but everyone was yelling 🎛️

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